Showing posts with label District 9. Show all posts
Showing posts with label District 9. Show all posts

Tuesday, February 2, 2010

Tuesday, February 2nd, 2010

The initial happiness of District 9 and Inglourious Basterds making the cut of the 82nd Annual Academy Awards Best Picture nominees almost makes it easy to overlook the fact that the mediocre-at-best film The Blind Side also ranked among the other nine films. Accompanying the aforementioned films include An Education, Precious: Based on the Novel "Push" by Sapphire, A Serious Man, Up and Up in the Air. Of course, James Cameron's widely praised and crazy popular Avatar also took home a nom, and from the reviews and buzz I've read, what I project as the winner of the major category, Kathryn Bigelow's The Hurt Locker grabbed the tenth spot. Most of the nominees were to be expected, but I feel the big story is how many great films were passed up for The Blind Side. 2009 saw such great flicks as Coraline, Moon, Observe and Report, Star Trek, The Fantastic Mr. Fox, The Brothers Bloom, The Hangover, Watchmen, Ponyo, Harry Potter and the Half-Blood Prince, Zombieland, Where the Wild Things Are, Invictus, The Imaginarium of Doctor Parnassus, (500) Days of Summer, Paranormal Activity, Bronson, Crazy Heart, The Road and Bad Lieutenant: Port of Call New Orleans. Given, the Academy wouldn't even consider half of the films I just listed, but all are way more deserving than the ode to forgettable Baltimore Ravens offensive lineman Michael Oher, not to mention the alleged racism of John Lee Hancock's drama. There was many other overlooked performances in this past year of film, some of which are covered in a decent article by Cinematical's Erik Childress.

I would list my predictions of who I think should win, but I am still playing catch up with a few films I have yet to see, including the Coen Brothers' A Serious Man, Jason Reitman's Up in the Air and a few more. However, reading so much over this past award season, I will relinquish who I think doesn't necessarily deserve the award, but will take it home.
Best Picture: The Hurt Locker
Best Director: Kathryn Bigelow for The Hurt Locker
Best Actor: Jeff Bridges for Crazy Heart
Best Actress: Gabourey Sidibe for Precious: Based on the Novel "Push" by Sapphire (I know I am going out on a limb here, as most sites will pick either Sandra Bullock or Meryl Streep, but I stand by the choice as a lock.)
Best Supporting Actor: Christoph Waltz for Inglourious Basterds
Best Supporting Actress: Anna Kendrick for Up in the Air (this may be the most difficult category to predict, as all five has their supporters, and have won awards thus far into the season.)
Best Original Screenplay: Quentin Tarantino for Inglourious Basterds
Best Adapted Screenplay: Nick Hornby for An Education
Best Animated Feature: Up
Best Art Direction: The Imaginarium of Doctor Parnassus
Best Cinematography: The Hurt Locker
Best Costume Design: The Young Victoria
Best Documentary: The Cove
Best Editing: The Hurt Locker
Best Foreign Film: The White Ribbon
Best Makeup: Star Trek
Best Original Score: James Horner for Avatar
Best Original Song: "The Weary Kind (Theme from Crazy Heart)" for Crazy Heart
Best Sound: Avatar
Best Sound Effects Editing: Transformers: Revenge of the Fallen
Best Visual Effects: Avatar

Finally, if you do crave something other than this entire Oscar business, Kevin Smith gave a great interview on Bizarre Magazine's web site on the topics of golden showers, his first sex with his wife, and providing the tidbit that the much-talked about Hit Somebody, Smith's newest project that he hopes to start next year, is actually based on a Warren Zevon song.

Monday, November 30, 2009

Monday, November 30th, 2009

The accompanying image for today's blog comes from Racked New York and is pictures of Bergdorf Goodman Men's Store's holiday window in New York City. A nice tie-in to Wes Anderson's The Fantastic Mr. Fox. Kind of sad to realize that a claymation fox is more exquisitely dressed than I ever will be.

The Satellite Awards nominees were announced today, with Rob Marshall's upcoming musical Nine picking up the most nominations. You can check out the entire nominee list at the International Press' official statement here.

The Satellite Awards are, for all purposes, just a preliminary match for the Golden Globe Awards, itself just a stepping stone to the Academy Awards. The nominee list led me to the Oscar prediction site, In Contention. The big category to look for is Best Picture, as it will contain ten nominees this year. The top nine contenders the site lists includes Nine, the Coens' latest A Serious Man, Pixar's Up and James Cameron's highly anticipated Avatar. Then, if that wasn't good enough for most film nerds, the dark horses and rest of the field mentioned for contention include J.J. Abrams' chapter in the Star Trek franchise, Neill Blomkamp's District 9 and Quentin Tarantino's brilliant Inglourious Basterds. I do have to admit that I'm a bit upset that Watchmen didn't even make the cut for consideration, but all the same, I can't be all that upset about the picks the site has thus far. Also worth a mention is the incredibly low key success Precious: Based on the Novel "Push" by Sapphire, which shockingly is also boasting Best Supporting Actress nod at the Satellite Awards, as well as being top contender for the Oscar in comedienne Mo'Nique. We also have Clint Eastwood's sports biopic that will probably be the most overrated flick this award season, Invictus.

Tuesday, November 17, 2009

Tuesday, November 17th, 2009

I have yet to jump aboard the Blu-ray fad. I know that it is supposedly better quality, but really, I'm doing the majority of my at home movie watching on a 90's Magnavox television set that probably couldn't differentiate the difference between the platform and its predecessor of DVDs anyhow. Also, I like to be consistent, and seeing that there are still movies out there that I want to see that have yet to make the jump from the VHS platform (John Waters' Multiple Maniacs for example), I just feel that the time to jump ship on the DVD train has yet to come. Still, the District 9 release may be the first Blu-ray that I purchase. Not only is Neill Blomkamp's feature length directorial debut a fantastic film that comes with the regular run-of-the-mill featurettes and extras that usually comes with a home release, but the Peter Jackson produced science fiction flick, according to SciFi Squad, will be making history by including a playable demo of a video game, this one happening to be to the highly anticipated Play Station 3 game God of War III. Also, enticing gamers to play the demo before the game is released, once the demo is completed, a featurette for the game is unlocked. And one final reason that this is becoming a must buy, in honor of the rapidly approaching Christmas shopping season, Amazon is already pre-sailing it for just $19.

The Academy of Motion Picture Arts and Sciences gave out the Governors Awards a few days back, and it would of went completely under my radar if I hadn't of noticed a Cinematical article on the topic. Among those receiving the honorary Oscar was actress Lauren Bacall, acclaimed cinematographer Gordon Willis and one of the original true cult directors Roger Corman.

Spider-Man 4 casting rumors has become one of the more common topics on here, and today Entertainment Weekly shot down one of the bigger rumors, that Rachel McAdams was set to play Felicia Hardy/The Black Cat during an interview to promote Sherlock Holmes. So does this put Dylan Baker as The Lizard back at the top of the runnings for the film's villainous lead? Also, when will we find out Bruce Campbell's role?

Monday, September 21, 2009

Monday, September 21st, 2009

After watching Neill Blomkamp's District 9, I felt like I was watching something more important than the normal science fiction farce. Of course, the storyline is obviously full or allegorical connection to South Africa's former apartheid state. Blomkamp himself being a native of Johannesburg, South Africa and living in the country under apartheid definitely had his own images in comparing the treatment to the aliens as compared to the treatment of foreigners migrating to the country. So I was shocked a little today when the entire blogsphere was running this BBC News story on how Nigeria's Information Minister, Dora Akunyili has called for a ban of the film in Nigeria as well as an apology from the filmmakers for the portrayal of Nigerians as street thugs, prostitutes, criminals and/or cannibals. I'm kind of shocked, because I found an entire underlying theme of "environment dictates behavior". I think it is to be believed that the aliens were all like Christopher by nature, transformed by the brutal surroundings, using the comparison of the Nigerians, one of the real life sufferers of apartheid, as a comparison point, showing what the government had caused them to become to survive. Such a pity, it probably deserves to be seen by the very demographic it is being held from, as it would probably touch a little deeper than the rest of the western world in which it is being embraced.

I was slightly disappointed at the fact that Jennifer's Body didn't make its rounds to the local theater, despite being a for sure #1 at the box office in my mind. Wow, did I misjudge or what? The Megan Fox vehicle that is getting mixed reviews, and still looks very intriguing to me, landed at a measly fifth spot with just under $7 million. The Informant! landed the number two spot, despite being released limited with a little more than $10 million. However, topping the weekend with $30 million, the children's 3-D flick Cloudy with a Chance of Meatballs.

IWatchStuff posted a typically bizarre Japanese commercial for Panasonic which features a new clip from James Cameron's Avatar. The article also links to a new website for the upcoming highly anticipated film that I have yet to see, masquerading as a business/promotion site for the Resource Development Administration's AVTR program.

I read an awful article on Cinematical in which The Weinstein Company has given Twitter credit for Quentin Tarantino's latest Inglourious Basterds raking in over $100 million dollars at the box office. Please don't let this become a marketing norm.

Finally, the amazing featurettes from Wes Anderson's The Fantastic Mr. Fox keeps pumping out. The latest containing what author Roald Dahl's widow Felicity has to say about the film and how close it would be to Dahl's imagination.

Monday, August 24, 2009

Monday, August 24th, 2009

I've spotted the 1939 fantasy family classic The Wizard of Oz on several movie blogs today. Some have put in their two cents on the incredible achievement of still being very relevant today, despite the film turning seventy this year. Others have noted a possible sequel being mentioned by way of the Daily Express. More in particular, some blogs have focused on the rumor of Dakota Fanning taking on the role of Dorothy, while others have been focusing on a quote by co-producer Todd McFarlane stating that in this possible sequel from Warner Brothers the character of Dorothy would be more comparable to Sigourney Weaver's Ripley from Alien more so than Judy Garland's turn as the most celebrated cinematic version of L. Frank Baum's leading lady. This "dark" turn may sound shocking, but I'm quite surprised that none of the movie blogs have screeched to a halt while reading this and collectively said, "Holy shit! Todd McFarlane!?". Yeah, the accompanied picture is from McFarlane's "Twisted Land of Oz" toy series. The blindfolded, lingerie-clad, KISS boots-wearing, busty epitome of sexually charged S&M being dominated by some kind of perverted mutants is McFarlane's idea of Dorothy and the sweet little munchkins. I'm not saying this idea would be wholly unwelcome, as I would prefer to have a horror/sexploitation reimagining of the film rather than a failed Hollywood cash cow sequel. I am saying however, that of all the movie blogs I check daily, none of them connected McFarlane and Baum's sacred land of Oz to these very adult toys? Shotty journalism.

Another very interesting story, coming from DeadCentral is that John Landis, made famous by Schlock, An American Werewolf in London, Innocent Blood and the Michael Jackson video/short film Thriller, will be returning to the horror/comedy genre. The film, Burke and Hare, will be based upon a real life crime duo, William Burke and William Hare (check out their Wikipedia page, very interesting) that would kill people and sell their bodies for money during early 1800's Scotland. Oh, and get this, not only should we be excited that Landis is aboard, but Simon Pegg (known for his work with Edgar Wright in the subgenre) is also rumored to be starring in the film.

Spike Jonze's upcoming Where the Wild Things Are just keeps getting better and better. I've seen a few trailers, but I have yet to come across the fact that Karen O, of Yeah Yeah Yeahs fame, is doing several original recordings for the soundtrack that can be listened to for free on the movie's MySpace page right now. I almost can't see how this film can possibly live up to my expectations.

Inglourious Basterds easily took this weekend's box office, also setting a record for a Quentin Tarantino directed film and easily beating last week's top entry, District 9. The only other debut in the top ten would be from frequent Tarantino collaborator Robert Rodriguez in his children's flick Shorts in the six spot. So for next week, does Tarantino's Nazi themed epic stand a chance to stay atop in the wake of Halloween II's release?

Finally, Daily Star has an article stating that Robin Williams has been asked to play breakout Internet star and famed Britain's Got Talent contestant Susan Boyle. I personally imagine that Williams wasn't talking about a biopic, and possibly a future Saturday Night Live sketch, but whatever.

Wednesday, August 19, 2009

Wednesday, August 19th, 2009

Well, I said in the last blog that I would be back on Sunday, yet somehow in the past few days I've actually found something to do to keep me out long enough so that sleep is more important than blogging. Luckily, there hasn't been much movie news. Neill Blomkamp and producer Peter Jackson's District 9 took the box office, and a few other trivial things that I'll get to later.

Firstly, we'll bring Jackson back into the picture, as MarketSaw, a fellow Blogger member, has a post circulating three rather huge rumors on the upcoming film adaptations of J.R.R. Tolkien's classic tale The Hobbit, which got reported on several other major blog sites as well. To begin with, the most believable of the rumor mill, is that the films will be shot in 3-D. This really comes as no surprise seeing that Jackson was vocal during the San Diego Comic Con on converting The Lord of the Rings over to the format a few weeks ago. Another believable piece of the story is that Jackson and director Guillermo del Toro will be making the fantasy book's characters a little darker. This really comes as no surprise, especially an emphasis on Smaug, which I feel was rather dark in the first place. At the same time, I love the difference of tone from The Hobbit to The Lord of the Rings, so I hope that in connecting the films in the franchise, the unique tone of the book isn't lost. Lastly, the article mentions that there will be a third film, bridging the two works, and that Jackson will return as director for the bridge movie. This gets to a point that is debatable, no matter how capable Jackson's hands are. What do you think? Also, should we trust a Blogspot? Without looking further into the MarketSaw subsite, I could easily assume it is a fledging college student/grocery store bag boy/cinephile like myself that created a massive rumor to stir up site traffic.

A story that I missed over the past few days of absence was that Robert Downey, Jr. was being rumored to play the vampire Lestat in a new film based on Anne Rice's The Vampire Chronicles series. Today, BSC has a few quotes from Rice herself on the topic of Downey becoming the third actor to take on the role of the lead vampire. The article still doesn't confirm or dismiss the original speculation.

Speaking of vampires, I found a rather odd item circulating the cinema blogsphere... a Twilight themed dildo. From the tiny bit of the description I could bring myself to read, I understand that it sparkles like Edward's skin, as well as having the "pale flesh tone reminiscent of a new moon's glow". Feeling left out of the apparently new "hip" thing of masturbating to Twilight, I looked up the more appropriate topic on Google search of a Star Wars sex toy. What I ended up finding was this terribly unsettling article from Landover Baptist Church's web site, about a boy having carnal relations with a seven foot replica of Jar Jar Binks.

ComingSoon has a story up that Lionsgate is developing a remake of the 1987 classic Dirty Dancing. Now, I bitch and moan a lot, but there's very few news items I report on here that would cause me to go out and protest, and I'll be damned if Lionsgate didn't pull one of those scenarios out of the hat when I just imagined someone other than Patrick Swayze saying "Nobody puts Baby in a corner".

Finally, the other day, a new trailer for the David Lynch produced, Werner Herzog directed flick My Son, My Son, What Have Ye Done debuted. I have to admit, it looks watchable, but coming from the minds of Lynch and Herzog, as a team, I am quite disappointed that I'm not blown away watching this. Still, I think it is worth your time.


P.S. As an added bonus for my absence, here is the more than likely illegal way I spent an afternoon the other day, watching Martin Scorsese's 1976 masterpiece Taxi Driver on YouTube.

Friday, August 14, 2009

Friday, August 14th, 2009

Geekologie has a very impressive photo gallery of a home decked out in Star Wars memorabilia that would certainly make almost any collector, big or small, extremely jealous.

It's been a rather slow news day, topped by an article on HitFix that claims Bryan Singer will produce, as well as possibly direct, a new big screen adaption of Battlestar Galactica. I've never really gotten into Battlestar, but hey, we can't all be into everything, we just merely don't have the time. So, this news doesn't rise up anger or happiness, so I'm curious to know what a fanboy of the franchise would say. The linked article is accompanied by a picture of concept art that looks very different from anything I've seen.

Also, Rachel McAdams accidentally, or the way Cinematical put it, purposefully, yet blissfully unaware, gave the plot of The Time Traveler's Wife away during her guest spot on The Daily Show with Jon Stewart. I've yet to watch the clip as there is a chance I may accompany the lady to it yet, but I'm sure this doesn't help McAdams future, at least in anything that the plot should be closely guarded.

Well, it is Friday, and a big one at that. District 9 is the big talk of the week. The reviews are nothing short of amazing. Also, not only does this look to be a smart science fiction film, but it is a smart science fiction film, that at least to some point, has some influence from producer Peter Jackson. However, I have to admit, even if Jackson's name wasn't on this thing, I think I would still be stoked after watching Neill Blomkamp's short film Alive in Joburg, and watching the trailers for the flick over the past few weeks. I'm also quite excited about Hayao Miyazaki's latest effort, Ponyo. When watching the trailer, it looks like it could possibly be one of Miyazaki's worst films. The truly great thing about Miyazaki though, it looks like it could be a contender for one of the best of the year. The limited release is a bit disappointing, seeing that I am driving to Lexington (about a two or so hour drive) next week just to watch it. But never seeing a Miyazaki film on the big screen, that will be a worthwhile event. So, we have a smart, intriguing science fiction potential blockbuster, and another beautifully animated masterpiece from the king of Japanese anime. Therefore, everything else looks terrible in comparison. The unfortunate contenders include The Time Traveler's Wife. It will be a contender for the box office, but the romantic tale will more than likely fail in comparison to the rest of the weekend's fare. Not saying that as a completely bad thing, as it is a "chick flick" that quite easily put me aboard. Another movie that may have had a chance to make an impact on another weekend is the raunchy Jeremy Piven comedy about car salesmen, The Goods: Live Hard, Sell Hard. With Ed Helms co-starring in it, I think most will be disappointed to find it not as hilarious as The Hangover, but if it can be funny enough to overcome the hurdle of making us forget any comparison, it will exceed my expectations.

Finally, I probably won't blog tomorrow. I'm going to Dollywood. I searched for some kind of clip connecting the park and films. I found several references from TV, including American Dad!, The Simpsons, Sealab 2021 and The Drew Carey Show. I eventually read that it is mentioned on the 1992 film Captain Ron, but to post a clip of that would be insulting to any would-be readers. So, I'll just say adieu, and I will be back with a short film or something special to make up for the absence on Sunday.

Sunday, August 9, 2009

Sunday, August 9th, 2009 (Short Film Sunday: Alive in Joburg)

Yesterday, whilst blogging about the speculation of Steven Spielberg producing a big screen version of the hugely popular XBox game Halo, I mentioned that I would fill in a bit of time between the production of the failed Peter Jackson/Neill Blomkamp Halo to their new project, next Friday's District 9. The story actually begins with the 2005 South African short film by Blomkamp, Alive in Joburg. The nearly six minute science fiction film deals with a documentary style of interviewing characters in Johannesburg, South Africa about a group of extraterrestrials being contained by the government. The film takes place in 1990, when South Africa was still under apartheid, and puts the alien refugees among the already oppressed black population.

Taking a passenger seat to the unique use of the cinema verite technique in a genre picture, and the heavy topic of race relations in a very short film was the special effects. One thing Blomkamp lacked in his short was a budget, but a good head for a science fiction picture was there. And to say that the former television commercial director still created some decent effects with a low budget would be a vast understatement. The first of the film, in which the aliens are inside the technologically advanced bio-suits, looked like it could be right at home in a well developed video game. This could have been a reason that Blomkamp was picked up as the director for the film adaptation of Halo, a highly anticipated flick with an already built-in hardcore fan base in his debut feature. It wasn't meant to be though, as development hell would grab producer Peter Jackson's project by the throat.

As bad as this would seem on paper, it was a great beginning for Blomkamp, as Jackson became so impressed, that he decided to just place the young director's talent elsewhere, and commissioned Alive in Joburg to be expanded into a feature length film, to be produced and distributed by Jackson's WingNut Films. This project, of course, is what would eventually become this week's big conversation point, District 9. One casting note in this now highly anticipated sci-fi motion picture is that of Sharlto Copley, a producer for the short in which it is based. Copley can also be seen around the 3:22 mark of the short featured below.

So, if you are like me and think that District 9 has the possibility to be the next big thing, watch this short and be entertained. Enjoy, and just think of what could be done with roughly 106 more minutes and some $30 million extra.

Saturday, August 8, 2009

Saturday, August 8th, 2009

With the upcoming release of Neill Blomkamp and producer Peter Jackson's science fiction film District 9 upon us, there has been a lot of talk of the origins of the film, as the movie came to fruition during the development of a big screen adaptation of the XBox game, Halo (More on what happened from Halo to District 9 tomorrow). Of course, I don't think any fan of the genre is terribly upset that the development hell of the immensely popular video game adaptation spawned what looks to be an incredible work; however, it has sparked a good bit of conversation on if we'll ever actually see Master Chief grace the big screen. I have always been a Nintendo enthusiast, using Sony as a dirty, artistically beautiful mistress, leaving no room for the ring of death gamble, so an adaptation of the game isn't moistening my pants exactly. Yet, when it was announced that Jackson would be behind the film, it caught my attention, and now, the new rumor, via IESB, is that Steven Spielberg will be taking the reigns as producer of the film after falling in love with Stuart Beattie's screenplay treatment. Will this spark the interest of the broad cinephile spectrum again? I am also curious to find out if hardcore fans of the game are stoked about this. I mean, really, how could they not at least be slightly excited. Given, I would take Jackson over Spielberg, but we're not exactly talking about a Uwe Boll here. As a note, I realize the picture is of Spielberg holding the Nintendo Wii game, Boom Blox Bash Party, in which he actually developed. It would have been more relevant to show him holding a copy of Halo, or at the very least BioShock, which the aforementioned article brings up as proof that Spielberg is a bit of a gamer. So, in short, Google Image failed me.

Aside from Halo, there is really no other cinema news worth repeating, so I thought I'd take this time of empty space to share a few articles I was reading about John Hughes before I decided to look up the day's happenings. First, ABC News has an article counting down the top five musical moments of the late director's films. Paste Magazine counts down the top ten films written by the very underrated Hughes, the list being topped by The Breakfast Club. The true testament to how influential and awesome Hughes was, is that as much of a staple as The Breakfast Club is, that spot is almost debatable. Finally, here is the ghetto scene from National Lampoon's Vacation, which was written by Hughes. In fact, it was the short story this film was based upon, Vacation '58, that kick started his career at National Lampoon Magazine. Enjoy, and once again, rest in peace.


P.S., ToyRocket has a decent sale. I find it relevant enough to this blog, as plenty of film merchandise and collectables a splayed across the sale.

Friday, July 24, 2009

Friday, July 24th, 2009

Another day that I should be sleeping due to my work schedule, yet like yesterday, a plethora of geeky wonderdom has come out of the San Diego Comic Con for all of us cinephiles to gawk at, complain about and rejoice over. First, the picture there is the first poster for 2010's Jimmy Hayward directed Jonah Hex.

Maybe the biggest story to come out of the convention today comes via the panel promoting The Book of Eli, the Hughes Brothers' upcoming film set in a post apocalyptic dystopian society, starring Denzel Washington as the protagonist and Gary Oldman taking on the villainous role. Mila Kunis, Michael Gambon and a few others star in a film that we are yet to find much out about the plot. However, via I Watch Stuff, we get to see the initial trailer, and during the interview itself, Oldman dropped a bomb that took a little of the focus away from The Book of Eli for a moment. Cinematical reports that Oldman, who plays Commissioner James Gordon in Christopher Nolan's reboot of the Batman franchise, claims that a sequel to The Dark Knight will begin filming next year with a potential theatrical release as early as 2011. This announcement brings up a lot more questions than it answers. Of course, the most worrisome of those questions, that the Cinematical staff promptly points out, is with Nolan busying himself finishing his anticipated film Inception, as well as touring for press junkets and whatnot up until at least the middle of 2010, then how quick could a blockbuster of Dark Knight stature be shot and ready to be in theaters by 2011? Does this mean Nolan is out?

Cinematical's affiliate SciFiSquad also has a very interesting review of the Peter Jackson-produced science fiction film District 9, that seems to be continually overlooked. I was hoping for more information of the plot, as well as maybe some questions directed towards Jackson about his film The Lovely Bones, or of course, a little something about The Hobbit; however, after already being a little stoked for Niell Blomkamp's tale of alien life in Johannesburg, South Africa, the ecstatic review from Kevin Kelly is one of the first detailed pieces I've read on this movie and increases my level of excitement quite a bit.

Stepping away from the Comic Con bubble for a moment, Variety has announced that there will be a Saw VII, with David Hackl returning to direct. Does this inevitable story make the entire advertising campaign for Saw VI being the "final chapter" even more annoying to anyone else?

It's also Friday, so for those of us unfortunate enough to be outside of San Diego, we can go see a few flicks this weekend. Orphan is probably the highest profile release this week. The film seems like one that is either hit or miss, no in between feelings. It holds a 50% on Rotten Tomatoes, was slammed by Variety and The New York Times, and given a three and a half star rating from Roger Ebert. It advertises a twist that could make or break the film, and has the star power of the incredibly talented Vera Farmiga and Peter Sarsgaard. The other two movies that will be wide release this week might not be so good. First, G-Force, despite having Zach Galifianakis and the voices of Tracy Morgan, Penelope Cruz, Sam Rockwell and Nicolas Cage, I just don't think anything could save this Disney film. Also, The Ugly Truth, a romantic comedy starring Katherine Heigl. Despite her likability, I can't see it being worth seeing. Some overlooked films for the week that will almost certainly go under the radar is the raunchy indy bromance comedy Humpday, Kevin Spacey as a quirky psychiatrist in Shrink, with appearances by Gore Vidal, Robin Williams and many others, and finally The Answer Man, which I want to find more out about, stars Jeff Daniels, nabbing supporting roles from two up and coming actresses Kat Dennings and Olivia Thirlby.

And finally, from TrailerAddict, Where the Wild Things Are author Maurice Sendak speaks about Spike Jonze and his upcoming, highly anticipated adaptation. Enjoy.

Wednesday, July 8, 2009

Wednesday, July 8th, 2009

I was looking about the John Waters Fan Page on MySpace a minute ago after they added new pictures, and ran across this gem, and decided that there is no possible way I could actually get on here and talk about movies without sharing it with whomever happens upon this page.

Now, on to some of the tidbits I've uncovered today. First off, the most mind boggling thing, MovieWeb posted that Chris Casamassa, better known to the public as Scorpion from Mortal Kombat, has stated that he will return to the role of the hell-spawned ninja revenant in a third film for the franchise. I have to admit, that as horrible of a film as the first one was, I hold it as a guilty pleasure. But, even after admitting that, I've yet to see the 1997 sequel, Mortal Kombat: Annihilation, and will be happy one day when I die without doing so. I seriously wonder if anybody will read this and be excited.

TheSuperficial reports that Michael Bay had Megan Fox wash his car to gain her breakthrough role in Transformers, and actually filmed it. This isn't quite news yet, but I've been calling Transformers the most exploitative film since Boss Nigger (a blaxploitation film, I've dubbed Transformers a cashploitation film for the constant effects with no substance), and if it comes to fruition that Bay actually played out the whole casting couch porn scenario, how much easier would it be for me to assert my classification up there.

Cinematical has an interesting article, taken from the New York Times, reporting that the pornographic film industry is losing plot and dialogue, and focusing on adding more sex scenes. So, porn used to have a plot?

Finally, District 9 released the full international trailer today. Up until now, the spots for the Peter Jackson produced film haven't gave us much insight to the story or the feel of the film. This trailer doesn't really make us understand anything more clearly, but does make it a slightly higher priority on the must-see list. Enjoy.



P.S.... Work sucks, and because some jack ass injured himself, I have to fill in for the late shift, and I may be going on a little spontaneous trip tomorrow night, so the next few days I may not be able to post. If not, I'll try to find something special to post for the weekend.