Thursday, January 7th, 2010

Just as I am about the renew my Netflix account, the Associated Press reports today that the DVD-by-mail and streaming rental service signed a deal with Warner Brothers Pictures that will delay releases of all films under the Warner label for 28 days after the scheduled release date. I suppose the move for Warner is in hopes that Netflix users will start buying the films, or renting them elsewhere for more revenue. However, if you're already paying for Netflix, chances are Warner films will just be setting for 28 days in peoples queues for most of the next year. One of the perks that will come from this is that Warner supposedly signed over the rights for more of their content to be streamed across the Internet to PCs and video game consoles. I'll still probably go down the Netflix road once again though, as getting a film 28 days later is quite better than not being able to rent them at all, case in point Away We Go and Anvil! The Story of Anvil, two non-obscure films that did not get a release at any of the three local rental places. So the better question, will those that live in places with adequate rental options decide it is time to cut their losses with Netflix?

It was announced in Variety today that Thor has an official release date, May 20th, 2011. This is big news for those of us awaiting to see the Asgardians on the silver screen; however, its appearance on today's blog just isn't for that alone. The date had formerly belonged to Spider-Man 4, and after weeks of any website not being able to confirm or deny the rumors that the superhero flick was having production troubles and indefinitely delayed, the removal from Marvel's film schedule and replacement with Thor all but confirms it.

The Directors Guild of America announced their nominees for Director of the Year today, via Cinematical. It is no surprise to see that Jason Reitman, Quentin Tarantino and Kathryn Bigelow scored a nod, as all three have been rumored to be in top contention for the Academy Award. James Cameron also gained notice for Avatar, which according to how you look at it is the most shocking or the most obvious pick among the group. Finally, the underdog pick is Lee Daniels, for Precious: Based on the Novel "Push" by Sapphire. I'm going Tarantino all the way, but have a hunch that Bigelow will take the award.

Nerd Bastards has an entertaining article up, quoting an interview with Darren Lynn Bousman on his frustration with the release of Repo Men, as he feels that it is for all purposes, a re-envisioning, albeit non-musical, of his rock opera/horror flick Repo: The Genetic Opera. I see his point, but after already gathering a cult following, Bousman's flick will have a longer shelf life than the Jude Law/Forest Whitaker drama.

/Film announced today that the first 3-D Blu-ray has been scheduled for release. 'Twas inevitable. The Sony Pictures CGI animated Cloudy with a Chance of Meatballs will claim the milestone of being the first, as the release coincides with the release of Sony's brand new Bravia 3-D compatible HD, LCD television sets. I am still hoping that 3-D is a passing fad, but this TV is another step towards a bleak future for that hope.

Tuesday, September 29th, 2009

Not since the Muppets has a soundtrack for a family film been so anticipated, as is Karen O and the Kids' upcoming release for Where the Wild Things Are. Everything about Spike Jonze's big screen adaptation of Maurice Sendak's timeless storybook seems perfect, and the music from the wonderful lead singer of the Yeah Yeah Yeahs makes a perfect fit for the movie. Take a listen for yourself, via a post from IWatchStuff.

I failed to see any posts on any of the normal blog sites I hit yesterday on the weekend's box office performances. Maybe it was because a second week of domination at the hands of Cloudy with a Chance of Meatballs is just slightly disheartening. Still, I am happy to report that my prediction of Fame taking the number one spot was way off, as the film ended up being third overall in a somewhat disappointing showing. Second place went to another debut on the charts, Jonathan Mostow's Surrogates.

Finally, to end a rather slow news day, Asian Movie Pulse announces some upcoming plans of Studio Ghibli. The most important in my mind is that Hayao Miyazaki is now contracted to churn out two more feature films in the next three years. Also, Miyazaki's Ghibli co-founder Isao Takahata will be directing his first film in ten years, Taketori Monogatari, an adaptation of an old Japanese folk tale.

Monday, September 21st, 2009

After watching Neill Blomkamp's District 9, I felt like I was watching something more important than the normal science fiction farce. Of course, the storyline is obviously full or allegorical connection to South Africa's former apartheid state. Blomkamp himself being a native of Johannesburg, South Africa and living in the country under apartheid definitely had his own images in comparing the treatment to the aliens as compared to the treatment of foreigners migrating to the country. So I was shocked a little today when the entire blogsphere was running this BBC News story on how Nigeria's Information Minister, Dora Akunyili has called for a ban of the film in Nigeria as well as an apology from the filmmakers for the portrayal of Nigerians as street thugs, prostitutes, criminals and/or cannibals. I'm kind of shocked, because I found an entire underlying theme of "environment dictates behavior". I think it is to be believed that the aliens were all like Christopher by nature, transformed by the brutal surroundings, using the comparison of the Nigerians, one of the real life sufferers of apartheid, as a comparison point, showing what the government had caused them to become to survive. Such a pity, it probably deserves to be seen by the very demographic it is being held from, as it would probably touch a little deeper than the rest of the western world in which it is being embraced.

I was slightly disappointed at the fact that Jennifer's Body didn't make its rounds to the local theater, despite being a for sure #1 at the box office in my mind. Wow, did I misjudge or what? The Megan Fox vehicle that is getting mixed reviews, and still looks very intriguing to me, landed at a measly fifth spot with just under $7 million. The Informant! landed the number two spot, despite being released limited with a little more than $10 million. However, topping the weekend with $30 million, the children's 3-D flick Cloudy with a Chance of Meatballs.

IWatchStuff posted a typically bizarre Japanese commercial for Panasonic which features a new clip from James Cameron's Avatar. The article also links to a new website for the upcoming highly anticipated film that I have yet to see, masquerading as a business/promotion site for the Resource Development Administration's AVTR program.

I read an awful article on Cinematical in which The Weinstein Company has given Twitter credit for Quentin Tarantino's latest Inglourious Basterds raking in over $100 million dollars at the box office. Please don't let this become a marketing norm.

Finally, the amazing featurettes from Wes Anderson's The Fantastic Mr. Fox keeps pumping out. The latest containing what author Roald Dahl's widow Felicity has to say about the film and how close it would be to Dahl's imagination.