Monday, February 8th, 2010

The release of Cop Out in three weeks marks the first time I have not been genuinely stoked about a Kevin Smith film being released. I'm sure many critics, and Smith fans alike will trash Jersey Girl, Jay and Silent Bob Strike Back and even Mallrats, yet I have always been a diehard of the Red Bank, New Jersey native. So, in response to thinking that the Bruce Willis/Tracy Morgan buddy comedy will be one of his worst flicks, I have been putting a lot of stock and anticipation into Smith's upcoming efforts, including the much blogged about Hit Somebody, as well as Smith's shot at horror filmmaking, Red State. The horror flick has been a fan favorite idea for some time, and after a few requests for Smith to take fan donations to fund the film, a sort of backlash of cinema bloggers questioning the Clerks. director's douchebagginess over such a move has flooded in. /Film has an article covering Smith's response to the negative commenters. I personally wouldn't donate money, but Smith was going to match the fan donations and go without a salary, so I don't really see why he would be playing the villain here, especially if a few well-to-do fans could garner a production credit out of the ordeal. Still, with this tinge of controversy, I'm sure it puts Red State in the same column as Ranger Danger and the Danger Rangers as shelved Smith features I was heavily anticipating.

Deadline Hollywood has an article up on David S. Goyer's involvement and departure in the ABC series FlashForward, yet the story spirals into speculation on the sequel to The Dark Knight. The story claims that Goyer's exit of the show is due to writing the screenplay to the third Batman film with Jonathan Nolan. His screenwriting cohort is of especial note as well, as that would point all indication that director Christopher Nolan would return. Still, I've read several overviews of this on several blogs today, and they all call bullshit, so I suppose we will see.

Super Hero Hype has confirmed through an interview with director Joe Johnston, that Red Skull will be the official villain in the upcoming The First Avenger: Captain America. Let's just hope that whomever is casted in the role, sets their goal slightly higher than Scott Paulin from the 1990 film version.

Avatar's reign has finally come to an end after seven weeks, as James Cameron's mega-blockbuster film came in second place on the box office charts this weekend, falling to the Nicholas Sparks adapted romance flick Dear John. The Amanda Seyfried starring film, directed by Lasse Hallstrom had the second highest showing of all time during Super Bowl weekend, coming close to breaking the record held by the Hannah Montana and Miley Cyrus: Best of Both Worlds Concert film. Even more shockingly, Avatar failed to break any new records this weekend, some crediting this to contending against the New Orleans Saints big win last night, which broke M*A*S*H's long standing television viewing audience record for its finale. Cameron's film came in second on the all time list during the eighth weekend of release to his other film, Titanic. Next weekend sees three big releases in The Wolfman, Percy Jackson and the Olympians: The Lightning Thief and Valentine's Day, so it will be interesting to see what kind of decrease the film will face in sales.

Finally, as I've been writing this, I've been watching the lackluster reunion of Chevy Chase and Beverly D'Angelo as Clark and Ellen Griswold from John Hughes' beloved Vacation series of films, in the form of several Super Bowl ads, entitled Hotel Hell Vacation for Home Away, Inc. (As a note, the collected commercials are being officially referred to as a short film and sequel within the official Vacation canon). For the rest of cinema news from last night, Cinematical has compiled all the debut TV spots for Alice in Wonderland, Prince of Persia, Shutter Island, The Last Airbender, The Wolfman, Robin Hood and The Crazies.

Tuesday, February 2nd, 2010

The initial happiness of District 9 and Inglourious Basterds making the cut of the 82nd Annual Academy Awards Best Picture nominees almost makes it easy to overlook the fact that the mediocre-at-best film The Blind Side also ranked among the other nine films. Accompanying the aforementioned films include An Education, Precious: Based on the Novel "Push" by Sapphire, A Serious Man, Up and Up in the Air. Of course, James Cameron's widely praised and crazy popular Avatar also took home a nom, and from the reviews and buzz I've read, what I project as the winner of the major category, Kathryn Bigelow's The Hurt Locker grabbed the tenth spot. Most of the nominees were to be expected, but I feel the big story is how many great films were passed up for The Blind Side. 2009 saw such great flicks as Coraline, Moon, Observe and Report, Star Trek, The Fantastic Mr. Fox, The Brothers Bloom, The Hangover, Watchmen, Ponyo, Harry Potter and the Half-Blood Prince, Zombieland, Where the Wild Things Are, Invictus, The Imaginarium of Doctor Parnassus, (500) Days of Summer, Paranormal Activity, Bronson, Crazy Heart, The Road and Bad Lieutenant: Port of Call New Orleans. Given, the Academy wouldn't even consider half of the films I just listed, but all are way more deserving than the ode to forgettable Baltimore Ravens offensive lineman Michael Oher, not to mention the alleged racism of John Lee Hancock's drama. There was many other overlooked performances in this past year of film, some of which are covered in a decent article by Cinematical's Erik Childress.

I would list my predictions of who I think should win, but I am still playing catch up with a few films I have yet to see, including the Coen Brothers' A Serious Man, Jason Reitman's Up in the Air and a few more. However, reading so much over this past award season, I will relinquish who I think doesn't necessarily deserve the award, but will take it home.

Best Picture: The Hurt Locker

Best Director: Kathryn Bigelow for The Hurt Locker

Best Actor: Jeff Bridges for Crazy Heart

Best Actress: Gabourey Sidibe for Precious: Based on the Novel "Push" by Sapphire (I know I am going out on a limb here, as most sites will pick either Sandra Bullock or Meryl Streep, but I stand by the choice as a lock.)

Best Supporting Actor: Christoph Waltz for Inglourious Basterds

Best Supporting Actress: Anna Kendrick for Up in the Air (this may be the most difficult category to predict, as all five has their supporters, and have won awards thus far into the season.)

Best Original Screenplay: Quentin Tarantino for Inglourious Basterds

Best Adapted Screenplay: Nick Hornby for An Education

Best Animated Feature: Up

Best Art Direction: The Imaginarium of Doctor Parnassus

Best Cinematography: The Hurt Locker

Best Costume Design: The Young Victoria

Best Documentary: The Cove

Best Editing: The Hurt Locker

Best Foreign Film: The White Ribbon

Best Makeup: Star Trek

Best Original Score: James Horner for Avatar

Best Original Song: "The Weary Kind (Theme from Crazy Heart)" for Crazy Heart

Best Sound: Avatar

Best Sound Effects Editing: Transformers: Revenge of the Fallen

Best Visual Effects: Avatar

Finally, if you do crave something other than this entire Oscar business, Kevin Smith gave a great interview on Bizarre Magazine's web site on the topics of golden showers, his first sex with his wife, and providing the tidbit that the much-talked about Hit Somebody, Smith's newest project that he hopes to start next year, is actually based on a Warren Zevon song.

Monday, February 1st, 2010

That is one of the more priceless frightened faces on a child that I have ever seen. It is also completely unrelated to anything we're about to discuss. First off, in all of the award-season chaos, many people tend to leave the Golden Raspberry Awards off of their lists. Like always, the Razzies tend to be the worst of extreme mainstream cinema, instead of being the worst of cinema, period... as advertised. Case in point, Land of the Lost lands a nomination for Worst Picture, even though it had some supporters, one being Roger Ebert. Also, Transformers: Revenge of the Fallen had a terrible script, but has kept a decent fan base, and despite not being a Fellini, the movie was entertaining enough at least, to keep it off this list. Other notables pointed out in /Film's coverage include four nods for The Twilight Saga: New Moon, Sandra Bullock's nomination for All About Steve, which could couple with a possible Academy Award nomination announced tomorrow for her role in The Blind Side (which for my consideration, would fit in more on this list than any other). There is also three decade awards that is worth checking out.

Other than Bullock, not a lot of Oscar speculation coming out of the nominations for the Razzies, but another award show went down over the weekend, the Directors Guild of America Awards, in which Kathryn Bigelow took home the trophy for Best Director for her film The Hurt Locker. Cinematical's Girls on Film column focuses on Bigelow's big win, trumping her ex-husband James Cameron among others. The article also notes that Bigelow's chances on Academy gold just shot up considerably, seeing that the winner of the highest honor the DGA presents has won the Oscar 90% of the time in the last 61 years. On top of all this, Bigelow also holds the distinction of being the first female winner of the DGA Award, and is looking as a nearly positive groundbreaker as the first female to gain the Oscar in the same category.

Finally stepping away from the award stuff for a bit, /Film has an article up focusing on Kevin Smith's Twitter account, where the Clerks. director has announced he is shopping Hit Somebody, a dramedy set in the world of hockey, to Warner Brothers. They also quote Smith as referring to Hit Somebody as an equal to 1993's Chasing Amy, the quality of which he has been, for lack of a better word, chasing ever since.

Well, with all attempts of not mentioning Avatar, the fact that the Oscars are announced this week, and the aforementioned news of Bigelow's triumph over the film makes it almost impossible. Also continuing to block me from ignoring the blockbuster is the fact that the film took the top spot at the box office again this week, for the seventh time, in the process breaking the record for the highest grossing seventh weekend of all time. Box Office Mojo's weekend report also estimates that the current record holder for worldwide box office will overtake the U.S. domestic record sometime this week, beating out Titanic. Cameron's film also was the first to cross the worldwide $2 billion mark over the past week. Many may wonder exactly why all the praise for the flick, including the comically monotoned guy that posted a 70 minute review of Star Wars Episode I: The Phantom Menace on YouTube. He now has an 18 minute review of Avatar posted. Here is the first part, enjoy.

Friday, November 20th, 2009

I was going to take off the day from blogging due to some school work and just consider it one proverbial long awkward pause in honor of The Twilight Saga: New Moon's release today, but then I read some good news at the hands of Cinematical to combat my rant against the local movie rental place I posted the other night. The article announces that Netflix will soon be streaming independent films for download while their still in theaters due to unavailability to most audiences due to the limited releasing. The new program will be implemented through IFC and their Festival Direct project, which shows the indie flicks that are making splashes at some of the bigger film festivals, including Sundance, Cannes, Tribeca, Toronto, etc. as well as the In Theaters + On Demand service, which begins streaming certain films on the day they premiere in limited release. A lot of possibilities there, and with the rental company coming soon to Play Station 3 and my growing dismay towards Movies to Go, I'm sure I will soon be able to give a firsthand review of this.

Speaking of disappointment in the movie industry (that is, if you can consider my local rental store to be the movie industry), the short list for the 82nd Annual Academy Awards Best Documentary Feature Award has been receiving more and more controversy. I included the story of the snubbing of Capitalism: A Love Story and Anvil! The Story of Anvil on my blog the other day, but I left one major contender that was snubbed out, that being the highly reviewed James Toback documentary on the infamously bizarre and misunderstood namesake boxer in the flick Tyson. Toback himself took notice of this, as he took to an interview with The New York Times to claim that the selections process borders close to "extortion". The article goes on to give the Academy's rebuttal of Toback's claims; however, I'm sure it will not quite squash the buzz and controversy as we move ever forward to the iconic award show.

And... today is Friday, so that means new releases. Among the films in theaters this week include what looks like one of the more overrated flicks in some time, especially in regards to Sandra Bullock's performance, which the trailer at least doesn't really wow me, The Blind Side, the true story of a mediocrely famous Baltimore Ravens offensive lineman. Also, The Rock's career continues to look sadder in the animated Planet 51. We also get a helping of Werner Herzog's take on Abel Ferrera's cult classic in Bad Lieutenant: Port of Call New Orleans, starring Nicolas Cage and Eva Mendes, in a flick that most certainly has a better behind the scenes and back story than anything that will actually appear on the screen. And finally, yes, New Moon also made its debut last night at midnight. Instead of giving my take on how I feel about setting uncomfortably in a theater watching the only wet dream of Native Americans I've ever seen, I'll direct you to Roger Ebert's review, which includes the phrase "long pauses interrupt longer ones" while describing the plot. If that wasn't fascinating enough, to give a break of all the Twihard madness, here is a clip of Kevin Smith from this past San Diego Comic Con describing why we shouldn't hate the Twihards, and his feeling on the trailer of New Moon that debuted at the convention. Definitely worth a listen.

Thursday, August 13th, 2009

To say that Gavin Hood's X-Men Origins: Wolverine was a disappointment, even compared to the lackluster X-Men: The Last Stand, would be a vast understatement. It was nonetheless, met with a decent box office return, and right after the release, star Hugh Jackman talked openly on how he wanted a sequel that would cover Chris Claremont and Frank Miller's classic Wolverine story arc. With Jackman claiming that the plot was being actively pursued, it comes as a great surprise for all us comic-to-movie fans that Christopher McQuarrie has been signed on to direct the yet untitled sequel, via The Hollywood Reporter. McQuarrie is best known as the Academy Award winning writer of Bryan Singer's The Usual Suspects. I mean, how could the man who created the brilliance of Keyser Soze go on to make something on the level of the last two films in the X-Men franchise? Also, it is to be noted that McQuarrie done some work on the original X-Men, directed by Singer in 2000, until David Hayter took over. With Hayter doing a decent amount of re-writes, he gained sole credit from the Writers Guild of America, with Singer and Tom DeSanto gaining credit for "story". So, he was associated with the franchise when it was still very much enjoyable.

One upcoming film that has yet to grab me, Legion, debuted a red band trailer today. The Paul Bettany-starring "Christian-themed fantasy-thriller" as Wikipedia puts it seems rather creepy. I love the old woman saying that the unborn child will "fucking burn" in a sweet voice. Anyhow, the loading for this thing was miserable, so I'm just going to link to IWatchStuff's page with the trailer. See what you think.

Neatorama has posted a video of a man who created the Batmobile tumbler from Batman Begins and The Dark Knight out of a go-kart.

Avatar's official site has updated to give information on what it is calling "Avatar Day", when the preview that supposedly wowed all the critics and spectators at the San Diego Comic Con will be available for the general public via a few select 3-D IMAX Theaters. Of course, this means for people like myself that live in a town that is getting Funny People as a new attraction tomorrow, seeing this is a little out of question unless I want to drive the distance of a short vacation.

Finally, I will end with promoting the John Hughes documentary Don't You Forget About Me... again. I recently found the trailer for the flick, and for the first time realized that Kevin Smith is in this thing. So, take a look and see if you are as impressed as I am with the story of a few fans going on a road trip to satisfy a cinephiliac urge. Enjoy.

Friday, July 17th, 2009

This picture showed up on I Watch Stuff today, and I could not blog without posting it. Just gives off a wonderful vibe, doesn't it?

More good news for the day, Kevin Smith's two biggest hits, 1994's independent gem, and one of my favorite films of all time, Clerks., as well as 1997's Chasing Amy will be getting the blu ray treatment. Among the extras, the Clerks. disc will feature a three hour documentary formerly only seen at festival screenings, called Oh, What a Lovely Tea Party, a behind-the-scenes taping of Jay and Silent Bob Strike Back directed by Smith's wife Jennifer Schwalbach-Smith. I still personally stick with the DVD medium for the most part, unless I can find a really bitchin' VHS. But I am glad that whenever DVD becomes obsolete, that Smith's two classic raunchy comedies will be there waiting for me.

Has anybody heard that some theaters' automated telephone schedules have been giving a warning about the content in Bruno? I am just curious to what got cut for the MPAA to change the film's rating from an NC-17 to an R, considering it had to be somewhat more shocking than what the world is up in arms about. Can't wait for that DVD.

Walter Cronkite passed away today at the age of 92. Cronkite didn't have much to do with cinema, but was indeed a panelist on most of the American Film Institute countdowns and television specials on classic films, a interviewee in several documentaries, including Out of the Shadows: The Man Who Was Deep Throat, Good Grief, Charlie Brown: A Tribute to Charles Schulz and Bob Hope: The First 90 Years among others, and even provided his voice to the lackluster cartoon We're Back! A Dinosaur's Story in 1993. Not to mention receiving a load of special thanks credits that include Apollo 13 and Empire of Dreams, the documentary featured on the 4-disc 2004 release of the original Star Wars trilogy. Needless to say on tomorrow's news, none of these things will be mentioned as Cronkite's coverage of things, such as John F. Kennedy's assassination and the Vietnam War are much more important, and in that way, is why more so than anything I listed above, Cronkite is important to film. He is the news anchor of news anchors, and is the archetype that most screenwriters and authors put to use for such a character.

Finally, I mentioned Where the Wild Things Are yesterday, but a video surfaced on the web today on what a potential Disney animated version of Maurice Sendak's beloved children's work could have been like. Directed by Pixar founder and animation legend John Lasseter, it actually looks quite good. But before you get too down, go look up Spike Jonze's trailer again and you will realize that ultimately, it was a good thing this failed, or else we might not have the upcoming live action version. Enjoy.



P.S., I try to stay away from covering television on here, but since Futurama has spun-off four direct-to-DVD films, it is close enough. The A.V. Club has reported that Comedy Central is looking to recast the voice talent for the series. Look, it broke my heart when they left Adult Swim, but to keep this going with new people, it's just wrong. In my digging on more to this story, I even found a character description of Dr. Zoidberg. Does this mean no Billy West? Really!? Jesus, what's the world coming to.