Showing posts with label Up in the Air. Show all posts
Showing posts with label Up in the Air. Show all posts

Tuesday, February 2, 2010

Tuesday, February 2nd, 2010

The initial happiness of District 9 and Inglourious Basterds making the cut of the 82nd Annual Academy Awards Best Picture nominees almost makes it easy to overlook the fact that the mediocre-at-best film The Blind Side also ranked among the other nine films. Accompanying the aforementioned films include An Education, Precious: Based on the Novel "Push" by Sapphire, A Serious Man, Up and Up in the Air. Of course, James Cameron's widely praised and crazy popular Avatar also took home a nom, and from the reviews and buzz I've read, what I project as the winner of the major category, Kathryn Bigelow's The Hurt Locker grabbed the tenth spot. Most of the nominees were to be expected, but I feel the big story is how many great films were passed up for The Blind Side. 2009 saw such great flicks as Coraline, Moon, Observe and Report, Star Trek, The Fantastic Mr. Fox, The Brothers Bloom, The Hangover, Watchmen, Ponyo, Harry Potter and the Half-Blood Prince, Zombieland, Where the Wild Things Are, Invictus, The Imaginarium of Doctor Parnassus, (500) Days of Summer, Paranormal Activity, Bronson, Crazy Heart, The Road and Bad Lieutenant: Port of Call New Orleans. Given, the Academy wouldn't even consider half of the films I just listed, but all are way more deserving than the ode to forgettable Baltimore Ravens offensive lineman Michael Oher, not to mention the alleged racism of John Lee Hancock's drama. There was many other overlooked performances in this past year of film, some of which are covered in a decent article by Cinematical's Erik Childress.

I would list my predictions of who I think should win, but I am still playing catch up with a few films I have yet to see, including the Coen Brothers' A Serious Man, Jason Reitman's Up in the Air and a few more. However, reading so much over this past award season, I will relinquish who I think doesn't necessarily deserve the award, but will take it home.
Best Picture: The Hurt Locker
Best Director: Kathryn Bigelow for The Hurt Locker
Best Actor: Jeff Bridges for Crazy Heart
Best Actress: Gabourey Sidibe for Precious: Based on the Novel "Push" by Sapphire (I know I am going out on a limb here, as most sites will pick either Sandra Bullock or Meryl Streep, but I stand by the choice as a lock.)
Best Supporting Actor: Christoph Waltz for Inglourious Basterds
Best Supporting Actress: Anna Kendrick for Up in the Air (this may be the most difficult category to predict, as all five has their supporters, and have won awards thus far into the season.)
Best Original Screenplay: Quentin Tarantino for Inglourious Basterds
Best Adapted Screenplay: Nick Hornby for An Education
Best Animated Feature: Up
Best Art Direction: The Imaginarium of Doctor Parnassus
Best Cinematography: The Hurt Locker
Best Costume Design: The Young Victoria
Best Documentary: The Cove
Best Editing: The Hurt Locker
Best Foreign Film: The White Ribbon
Best Makeup: Star Trek
Best Original Score: James Horner for Avatar
Best Original Song: "The Weary Kind (Theme from Crazy Heart)" for Crazy Heart
Best Sound: Avatar
Best Sound Effects Editing: Transformers: Revenge of the Fallen
Best Visual Effects: Avatar

Finally, if you do crave something other than this entire Oscar business, Kevin Smith gave a great interview on Bizarre Magazine's web site on the topics of golden showers, his first sex with his wife, and providing the tidbit that the much-talked about Hit Somebody, Smith's newest project that he hopes to start next year, is actually based on a Warren Zevon song.

Tuesday, December 15, 2009

Tuesday, December 15th, 2009

Well, the Golden Globe Award nominees were announced today, and is pretty much what has been keeping the cinematic blogsphere buzzing for the past fourteen hours or so. The biggest, and most welcome, surprise to me was that Todd Phillips' raunchy comedy win, The Hangover took a nod for Best Motion Picture- Musical or Comedy. The flick basically doesn't stand a chance against the upcoming musical Nine, directed by Chicago's Rob Marshall, starring Daniel Day-Lewis and a host of other Oscar darlings, along with Black Eyed Peas' Fergie oddly enough, and is loosely based upon Federico Fellini's 8 1/2. The quirky (500) Days of Summer, It's Complicated and Julie and Julia round out the category.

On the drama side of the major award, James Cameron's mega-blockbuster to release this Friday, Avatar, takes a nod that many are speculating will be in contention for the win, facing off against the one time Oscar favorite, Jason Reitman's Up in the Air, Quentin Tarantino's ingenious, and my pick, Inglourious Basterds, the sleeper success Precious: Based on the Novel "Push" by Sapphire and a film that most sites have been raving about for most of the year, Kathryn Bigelow's The Hurt Locker.

Sandra Bullock got a nod for The Blind Side, and from what I can tell of the trailer, may be the most overrated performance of the year. Hopefully she will fall to what looks like a powerful performance from the almost unknown Gabourey Sadibe in Precious. I would say Morgan Freeman's turn as Nelson Mandela in Invictus is all but locked for the award for Best Actor. I will also stretch out and predict that Marion Cotillard is a lock for Best Comedy Actress for her showing in Nine despite Meryl Streep's double appearance in the category, or Bullock showing up again for The Proposal (Note: If you have taste, you probably just said something along the lines of "Say whaaaaaat?" or "Fucking Hell!", and that is why the Golden Globes' validity is slipping dramatically). Comedy Actor is a solid category however, harnessing the likes of Matt Damon, Daniel Day-Lewis, Robert Downey, Jr., Joseph Gordon-Levitt and Michael Stuhlberg, and I can't say I'd be shocked by any of the five walking away with the award. Director is the only other category I could really see going all five ways. Bigelow gets a rare female nod in the directorial category for The Hurt Locker, being accompanied by James Cameron, Clint Eastwood, Jason Reitman and Quentin Tarantino.

Further predictions from my behalf. Keep in mind that since I live in a small area, I have yet to see many of the films that I would like to, so I am merely predicting who I think will take home the award, via buzz, awards favorites and so and so forth...:
Supporting Actress: Mo'Nique for Precious
Supporting Actor: Christoph Waltz for Inglourious Basterds
Animated Feature: Up
Foreign Language Film: Broken Embraces
Screenplay: Jason Reitman for Up in the Air
Score: James Horner for Avatar, although my heart lies with Karen O and Carter Burwell's work on Where the Wild Things Are full throttle.
Original Song: "Cinema Italiano" from Nine

Finally, to get out of the pre-Oscar garbage that must be talked about by cineastes the world over, to much chagrin usually, here is a very bitchin' clip from Kick-Ass. I posted this sometime back when a grainy, bootlegged version made its way to the Interwebs during the San Diego Comic Con. All the same, enjoy one of the few great clips of Nicolas Cage floating around the world wide web.

Monday, December 7, 2009

Monday, December 7th, 2009

I was quite saddened a few months back when I read that Robert Luketic would be taking over the directorial position on the Barbarella remake, a project that had once been in the hands of someone more familiar with exploitation film, Robert Rodriguez. Trading Rodriguez for the guy most famous for directing Legally Blonde just doesn't really click for me. Anyhow, ever since Luketic's name became attached, it seems as if the project has took another dive into development hell, as no casting or production news has came forth. Despite the lack of news, a Cinematical article takes a look at this Absolut Vodka ad starring Zooey Deschanel as a blonde and noting the similarities to the erotic science fiction vixen. Would Deschanel take such a raunchy role? Despite looking the part, I can't really see Deschanel taking the role of a sexpot and leaving her (or our) comfort zone as the quirky girl. It would be like Janeane Garofalo taking the titular role in a reboot of Barb Wire. Sure, she could pull it off, but why?

In other kind of casting news, CinemaSpy reports that Tom Waits is in talks to join the cast for The Hobbit. The eccentric actor/singer whom last appeared in Terry Gilliam's soon-to-be-released The Imaginarium of Doctor Parnassus, carries the right audience to fit in without too much argument from the hardcore Middle-earth-to-cinema fans. Still, who would Waits play? The consensus coming from the message boards I've been surfing through is the voice for Smaug. Although, this will cross another popular Internet rumor that Ron Perlman, a frequent collaborator with director Guillermo del Toro, will be taking up the voice acting duties for the dragon. Still, something to think about as we slowly trudge forward to the next piece of Hobbit news.

Shockingly, The Blind Side took the top spot at the box office in its third week of release, toppling the current reign of The Twilight Saga: New Moon... also in its third week. Is those top two in the runnings enough to make a cineaste slightly depressed? If so, maybe it is a bit of a spirit lift to note that per theater, nothing touches Disney's latest return to traditional animation with The Princess and the Frog and Jason Reitman's highly praised Up in the Air, which landed overall in the sixteenth and thirteenth positions respectively.

Friday, December 4, 2009

Friday, December 4th, 2009

'Twas a slow news day today, so I'll share with you my big find, a Chinese toy company, Hot Toys. They were behind the awesome Joker figure from The Dark Knight that surfaced last year, but I didn't notice the company behind it then. They are currently releasing new additions to the Iron Man and 300 series that are definitely worth your time.

Yesterday, I mentioned that Jason Reitman's upcoming Up in the Air was named by the National Board of Review the film of the year, creating a significant amount of Oscar buzz. I don't know if I have already said it or not, but usually after something with George Clooney is released, I automatically assume it will be overrated due to an insane amount of political power the former People's sexiest man has on the movie industry and award ceremonies. That may be bad, as Good Night, and Good Luck was an outstanding film and generally his acting is pretty solid. Maybe it was my feeling that Michael Clayton got way too much attention, I don't know. Anyhow, I watched the trailer and did some digging for Up in the Air and it has quickly gained a top spot in my must see list. The trailer down below looks quite great, and the supporting cast, all of whom had their roles written especially for them from Reitman, includes Vera Farmiga, Anna Kendrick, Jason Bateman, Danny McBride, Melanie Lynskey, Sam Elliott, J.K. Simmons and the wonderful Zach Galifianakis. That is truly a cast anybody can get behind. Anyhow, enjoy the trailer.

Thursday, December 3, 2009

Thursday, December 3rd, 2009

It seems that every time I notice The Hobbit in the news, it is always something disappointing. This time, in a German interview transcribed by TheOneRing with Peter Jackson, to promote his upcoming, critically appraised film The Lovely Bones, announced that filming would be pushed back to July-ish 2010. The producer of J.R.R. Tolkien's predecessor to the epic The Lord of the Rings did not elaborate on if it would affect the projected release dates of December 2011 and 2012, but we have to assume it will. This just adds to the turmoil that is MGM's financial troubles swirling just over the head of the films' pre-production. For something to perk you up after reading that, here is a link that I've been stuck on since reading the article on TheOneRing... New Zealand's Red Carpet Tours, taking us to the filming locations around the beautiful country. The 12 night tour is actually only $180 U.S. dollars, while the one night tour from Auckland to Hobbiton is $140. After blogging, I will probably spend the rest of the night, wishingly searching Orbitz for cheap flights.

I was going to make a joke about the economy to segue into this Variety article on how the box office this year will probably break the record for raking in some $10 billion, topping last year by 8%, but I find most of the economy talk rather insipid. Anyhow, those estimates come before the releases of Alvin and the Chipmunks: The Squeakuel, which despite the horrendousness that will surely be contained within the hour and a half run time, will bring in the bucks from the kiddies out there, as well as potential blockbusters Sherlock Holmes and James Cameron's Avatar, not to mention a box office sleeper, the Oscar hopeful Invictus.

Invictus' Oscar dreams is another decent segue as the National Board of Review named their film of the year today, via Cinematical. The winner of the honor is Jason Reitman's latest, Up in the Air, starring George Clooney, whom also took home the NBR honor of Best Actor, tied with Morgan Freeman's Invictus performance. Taking home honors in the NBR's Ten Best Films were also good movie nerd fare such as (500) Days of Summer, Inglourious Basterds, A Serious Man, Up, Star Trek and Where the Wild Things Are.

Pajiba reported today that a rumored remake of Alfred Hitchcock's classic The Birds is back up and running with a new director attached, Dennis Iliades, the man behind the remake of Wes Craven's The Last House on the Left. I think somewhere in there I saw Michael Bay's name as producer, which almost assures that this already bad idea of trying to recreate the genius of Hitchcock by "modernizing" it, will be a total disaster.

Check out the new site MovieClips.com. The site boasts some 12,000 movie clips, with some good categorizations (I appreciate that at least) and even a bit of trivia. Anyhow, I'm not really sure why I chose the "Snap Out of It!" scene of Moonstruck as a demonstration, but I hope you enjoy nonetheless.