Tuesday, February 2nd, 2010

The initial happiness of District 9 and Inglourious Basterds making the cut of the 82nd Annual Academy Awards Best Picture nominees almost makes it easy to overlook the fact that the mediocre-at-best film The Blind Side also ranked among the other nine films. Accompanying the aforementioned films include An Education, Precious: Based on the Novel "Push" by Sapphire, A Serious Man, Up and Up in the Air. Of course, James Cameron's widely praised and crazy popular Avatar also took home a nom, and from the reviews and buzz I've read, what I project as the winner of the major category, Kathryn Bigelow's The Hurt Locker grabbed the tenth spot. Most of the nominees were to be expected, but I feel the big story is how many great films were passed up for The Blind Side. 2009 saw such great flicks as Coraline, Moon, Observe and Report, Star Trek, The Fantastic Mr. Fox, The Brothers Bloom, The Hangover, Watchmen, Ponyo, Harry Potter and the Half-Blood Prince, Zombieland, Where the Wild Things Are, Invictus, The Imaginarium of Doctor Parnassus, (500) Days of Summer, Paranormal Activity, Bronson, Crazy Heart, The Road and Bad Lieutenant: Port of Call New Orleans. Given, the Academy wouldn't even consider half of the films I just listed, but all are way more deserving than the ode to forgettable Baltimore Ravens offensive lineman Michael Oher, not to mention the alleged racism of John Lee Hancock's drama. There was many other overlooked performances in this past year of film, some of which are covered in a decent article by Cinematical's Erik Childress.

I would list my predictions of who I think should win, but I am still playing catch up with a few films I have yet to see, including the Coen Brothers' A Serious Man, Jason Reitman's Up in the Air and a few more. However, reading so much over this past award season, I will relinquish who I think doesn't necessarily deserve the award, but will take it home.

Best Picture: The Hurt Locker

Best Director: Kathryn Bigelow for The Hurt Locker

Best Actor: Jeff Bridges for Crazy Heart

Best Actress: Gabourey Sidibe for Precious: Based on the Novel "Push" by Sapphire (I know I am going out on a limb here, as most sites will pick either Sandra Bullock or Meryl Streep, but I stand by the choice as a lock.)

Best Supporting Actor: Christoph Waltz for Inglourious Basterds

Best Supporting Actress: Anna Kendrick for Up in the Air (this may be the most difficult category to predict, as all five has their supporters, and have won awards thus far into the season.)

Best Original Screenplay: Quentin Tarantino for Inglourious Basterds

Best Adapted Screenplay: Nick Hornby for An Education

Best Animated Feature: Up

Best Art Direction: The Imaginarium of Doctor Parnassus

Best Cinematography: The Hurt Locker

Best Costume Design: The Young Victoria

Best Documentary: The Cove

Best Editing: The Hurt Locker

Best Foreign Film: The White Ribbon

Best Makeup: Star Trek

Best Original Score: James Horner for Avatar

Best Original Song: "The Weary Kind (Theme from Crazy Heart)" for Crazy Heart

Best Sound: Avatar

Best Sound Effects Editing: Transformers: Revenge of the Fallen

Best Visual Effects: Avatar

Finally, if you do crave something other than this entire Oscar business, Kevin Smith gave a great interview on Bizarre Magazine's web site on the topics of golden showers, his first sex with his wife, and providing the tidbit that the much-talked about Hit Somebody, Smith's newest project that he hopes to start next year, is actually based on a Warren Zevon song.

Monday, February 1st, 2010

That is one of the more priceless frightened faces on a child that I have ever seen. It is also completely unrelated to anything we're about to discuss. First off, in all of the award-season chaos, many people tend to leave the Golden Raspberry Awards off of their lists. Like always, the Razzies tend to be the worst of extreme mainstream cinema, instead of being the worst of cinema, period... as advertised. Case in point, Land of the Lost lands a nomination for Worst Picture, even though it had some supporters, one being Roger Ebert. Also, Transformers: Revenge of the Fallen had a terrible script, but has kept a decent fan base, and despite not being a Fellini, the movie was entertaining enough at least, to keep it off this list. Other notables pointed out in /Film's coverage include four nods for The Twilight Saga: New Moon, Sandra Bullock's nomination for All About Steve, which could couple with a possible Academy Award nomination announced tomorrow for her role in The Blind Side (which for my consideration, would fit in more on this list than any other). There is also three decade awards that is worth checking out.

Other than Bullock, not a lot of Oscar speculation coming out of the nominations for the Razzies, but another award show went down over the weekend, the Directors Guild of America Awards, in which Kathryn Bigelow took home the trophy for Best Director for her film The Hurt Locker. Cinematical's Girls on Film column focuses on Bigelow's big win, trumping her ex-husband James Cameron among others. The article also notes that Bigelow's chances on Academy gold just shot up considerably, seeing that the winner of the highest honor the DGA presents has won the Oscar 90% of the time in the last 61 years. On top of all this, Bigelow also holds the distinction of being the first female winner of the DGA Award, and is looking as a nearly positive groundbreaker as the first female to gain the Oscar in the same category.

Finally stepping away from the award stuff for a bit, /Film has an article up focusing on Kevin Smith's Twitter account, where the Clerks. director has announced he is shopping Hit Somebody, a dramedy set in the world of hockey, to Warner Brothers. They also quote Smith as referring to Hit Somebody as an equal to 1993's Chasing Amy, the quality of which he has been, for lack of a better word, chasing ever since.

Well, with all attempts of not mentioning Avatar, the fact that the Oscars are announced this week, and the aforementioned news of Bigelow's triumph over the film makes it almost impossible. Also continuing to block me from ignoring the blockbuster is the fact that the film took the top spot at the box office again this week, for the seventh time, in the process breaking the record for the highest grossing seventh weekend of all time. Box Office Mojo's weekend report also estimates that the current record holder for worldwide box office will overtake the U.S. domestic record sometime this week, beating out Titanic. Cameron's film also was the first to cross the worldwide $2 billion mark over the past week. Many may wonder exactly why all the praise for the flick, including the comically monotoned guy that posted a 70 minute review of Star Wars Episode I: The Phantom Menace on YouTube. He now has an 18 minute review of Avatar posted. Here is the first part, enjoy.