Monday, October 19th, 2009

One of the most unfortunate things about living in the part of the country that I do, is that spectacular looking films, such as Robert D. Siegel's Big Fan, didn't come within a hundred miles. Still, the Patton Oswalt starring dark comedy has been championed in this blog for sometime as I wait with bated breath for the DVD release. While I wait, via Cinematical, the independent sports flick has nabbed three nominations (Best Feature and nods for Siegel and Oswalt's work respectively) at the Gotham Awards, honoring the best in independent cinema. Two other films that are high priority on my list to catch-up on when they finally hit store shelves is Kathryn Bigelow's The Hurt Locker and the Coen Brothers' latest, A Serious Man.

Speaking of A Serious Man, the flick took a decent leap in the box office this week, taking an 84% rise, still only netting it in the top 15. Also, Paranormal Activity still continues to climb its way to the top, landing at number three this weekend, taking sales up 148%, after a 1000+% increase last weekend. Still, the top story is that Spike Jonze's incredible Where the Wild Things Are took the top spot easily with approximately $33 million. Law Abiding Citizen and The Stepfather also debuted within the top five, which if not for Wild Things getting such a great release, would be cause to shoot ourselves in the head in honor of intriguing cinema, such as the 35th spot, Black Dynamite, which essentially will go unnoticed.

On the topic of Where the Wild Things Are, I was left with affirmation that Jonze is, in fact, one of the greatest geniuses in modern movies. The director of Being John Malkovich has really done no wrong thus far in his career, and prior to film, he has helmed such wonderful music videos as the Beastie Boys' "Sabotage", Fatboy Slim's "Praise You" and Wax's "California". So, it was definitely a shock to see an article on Cinematical highlighting a short film Jonze had done with douchebag extraordinaire, Kanye West, entitled We Were Once a Fairytale. It is hard for me to believe that, despite the high level of talent behind the camera, West could do anything remotely entertaining... on purpose. This thought continued as the embedded YouTube video provided by the link was taken down due to noncompliance in the form of a copyright claim from West himself.

Variety ran a story today about the possibility of reviving the failed attempt of a Broadway adaptation of Brian De Palma's classic horror flick Carrie. I don't really see why this wouldn't work. Actually, this makes me wonder why, when speaking of great Halloween staples in the same vein of The Rocky Horror Picture Show, why Carrie doesn't get some costumed midnight showings around this time of the year. Given, the Stephen King adaptation isn't nowhere near the same amount of fun as Rocky Horror, but the kitschy horror, and what would surely be a plethora of prom dress clad moviegoers doused in pig blood in the audience, definitely makes for at least one hell of an opening act. The Variety article also gives me reason to put up the prom scene clip from the movie, which has been on my mind recently, stemming from a rather comical incident during classes the other day. Enjoy.