Monday, January 4th, 2010

2010 is upon us. I was looking through my tags from the last year of posting and wasn't really surprised to see that James Cameron's Avatar took the top spot. As I've said before, I actually enjoyed Avatar, but there is probably about 20-30 films from 2009 that should be getting more praise than the effects laden cat people drama. Anyhow, it is undeniable that the science fiction 3-D tour de force has been dominating the cinematic news as of late, and should come as no surprise that it is the major topic on my first blog in the new year. First off, Cinematical has an article quoting Zoe Saldana and Cameron from an Interview with The Reelz Channel about the deleted additional footage of Jake Sully and Neytiri's sex scene, with Saldana even adding that the pony tails would plug in and play a part. Cameron also all but confirms that it will be part of the DVD release.

Also, Avatar continues to dominate the box office. Of course, this week provided virtually no new films, but Avatar maintained its momentum, having a very small percentage of a drop from last week with $68 million. This breaks the record for the highest third week of all time, previously set by The Dark Knight, as well as New Year's holiday gross, formerly held by Meet the Fockers. Despite this success, it is not the domestic U.S. numbers that are the amazing story, it is that the worldwide gross has topped a billion dollars and has already passed The Dark Knight for the fourth highest on the all-time release list, just below Pirates of the Caribbean: Dead Man's Chest and The Lord of the Rings: The Return of the King, in which it is estimated it will pass within the next week. Still off a little ways, but reachable is the number one spot, another Cameron film, Titanic.

Finally, on a note not related to blue cat people, CoolToyReview has put up a lot of the toys used for their online gallery for auction on eBay. Here is the link. The movie related auction contains mostly James Bond and classic Universal horror figures, with three Hot Toys figures, Don Vito Corleone from The Godfather, the Mark III from Iron Man and James Dean.

Tuesday, December 29th, 2009

Usually I attempt to stray from pictures and videos of Star Trek fandom, as I feel pretty confident that most of our hardcore Trekkies were born out of the television incarnations of Gene Roddenberry's brainchild, making them feel quite unrelated to this cinema blog. However, this image of a few Trek fans donning nothing but body paint for some sort of bicycle ride that popped up on two of my daily reads, Geekologie and NerdBastards, beckoned my eye whilst posting.

On to something that fortunately, or unfortunately, doesn't contain graphic nudity, Hollyscoop reports that Sam Worthington could be up for another major blockbuster role. The actor was relatively unknown until he picked up a starring role in this summer's Terminator Salvation, followed by the hugely successful Avatar, and will star as Perseus in next summer's remake of Clash of the Titans. Now, apparently he is up for the titular role in a Flash Gordon reboot. I sincerely think that Worthington did a good job in Avatar, but I'm still unsure of pumping this guy to be a big box office draw. I mean, we don't want to see Jake Sully or Marcus Wright playing Flash Gordon. Then again, I personally don't think we will ever have anything comparable to the 1980 campy classic Flash Gordon, with Max von Sydow as Ming the Merciless and the bitching Queen theme song.

Finally, the entire short film within the feature film Nation's Pride, the flick that plays during Inglourious Basterds, has been released to the Interwebs. The short is directed by Eli Roth, and despite not being a fan of his Hostel series, his performance as Donny "The Bear Jew" Donowitz, as well as this little piece is quite admirable. The clip stars Daniel Bruhl as Fredrick Zoller, the star of this psuedo Nazi propaganda film. The Cinematical article I originally seen this on points out that the DVD version of this informs us that there are cameos from Basterds director Quentin Tarantino, as well as Bo Svenson, the star of Enzo G. Castellari's The Inglorious Bastards, the "macaroni combat" flick in which Tarantino's film got its name.

Monday, December 28th, 2009

2009's final weekend box office returns may have been the most interesting this year, which says a lot coming from a year that contained Paranormal Activity's surprise success, as well as the tween domination with The Twilight Saga: New Moon, and the raunchy Todd Phillips' comedy The Hangover raking in enough money to make many critics question it being the final nail in the coffin of the Hollywood star system. Yet, we come to James Cameron's Avatar's second week, garnering $75 million, only dropping a measly 2% from last week, taking in the second highest second week of all time, just behind The Dark Knight, not to mention breaking the record for 3-D sales, as $57 million of the intake was for the 3-D showings. Of course, this may still seem a bit far from the estimated $500 million budget on the 3-D blockbuster, even considering it took in an additional $60 million over the weekdays. Yet, the worldwide success of the film has already hit the $623 million mark abroad, when added with the stateside totals. What is even more impressive about the feat is that it contended with the debut of the much anticipated Guy Ritchie reboot, Sherlock Holmes, which took in $65 million, and despite landing second place, broke the record for highest Christmas Day opening of all time. Also in contention was the family friendly Alvin and the Chipmunks: The Squeakuel, topping out a little over $50 million, and despite not being confirmed, I cannot find any other film to debut that high in third place. Even more impressive, the weekend as a whole earned roughly $270 million. This makes it the biggest earning weekend of the year, and topping last year's top weekend by 34%, being the weekend in which The Dark Knight and Momma Mia! debuted. It is also worth mentioning that Oscar contenders Up in the Air and Nine both extended to wide release, with the Rob Marshall musical even receiving a 2,000+% change in sales.

Of course, quality isn't always, and quite conversely usually opposite, on par with profit. Avatar is good, but it is overrated, while we have the debut of The Imaginarium of Doctor Parnassus land in 26th place and in limited release, and despite over a year of following Terry Gilliam's latest flick, I have to let the critically acclaimed jewel float by unnoticed for the more mainstream flicks, at least until the DVD is released since I live in the middle of nowhere. In the same category of being looked over as Imaginarium earlier this year, was a British film called Bronson. Since Nicolas Winding Refn's bizarre biopic of famed prisoner/bare-knuckle boxer Charles Bronson didn't make a splash at the box office, or didn't stop the presses with any earth-shattering reviews, it floated underneath my radar quite easily. However, lucky to a few bloggers really pushing for Tom Hardy to receive some recognition for his titular performance, I did a good amount of reading and watched this fabulous trailer. Not only will the much quoted review comparing it favorably to Stanley Kubrick's masterful A Clockwork Orange catch your eye, but the trailer looks absolutely flawless and is definitely a must see once it is available. As a note, a higher quality version is available on YouTube, but embedding has been disabled.

Thursday, December 24th, 2009 (Christmas Eve, Part II)

A happier post to reflect the normalized view of the yuletide season. So I will begin with one of the better rumors that I read this past week. Via Hollyscoop, bubbly country music superstar Taylor Swift has been reported to be in talks to star as the titular character in a new Supergirl film. For some reason, this works for me. First off, Taylor Swift already looks more like Kara Zor-El than Helen Slater did in full costume. Secondly, in almost every incarnation of DC's superheroine, the work is pure fluff. And in spite of all the "Yo Taylor, Imma let you finish..." Supergirl YouTube entries we would have to endure, Swift is undeniably likable. Nonetheless, we're still probably looking at a terrible movie here, just a reasonably casted lead in a terrible movie.

So, I also missed the week of Avatar. Well, the film, as predicted by everybody, took the weekend box office, and has raked in the incredible reviews that many had counted on. Still, I saw the film in 3-D and I didn't see it as a game changer. In fact, I left still hoping that the entire 3-D phase would fade back into an exploitation gimmick that we would see maybe once or twice a decade in a decent film. But, the good things about the movie outweigh the bad (including Leona Lewis' atrocious love theme), considering that James Cameron is a much better filmmaker than the typical post-William Castle user of the 3-D medium. First, the effects are stunning. Pandora and the creatures that inhabit the land are unusually breathtaking. Second, Sigourney Weaver. Third, Sam Worthington, whom I have generally considered a sub-par actor puts on a hell of a performance, considering he is competing with one of the more impressive backdrops in cinematic history. Giovanni Ribisi is also in there. Also, can you imagine the cosplay based on this thing come convention season? The movie was far from the best though, as the plot involves way too much Native American allegory in a world where we have already and unfortunately been acquainted with the Quileute tribe. Not to mention the uncomfortable scene where (*SPOILER ALERT*) the two blue cat people fuck in the holiest place in the movie. Still, I would highly recommend it, just with the warning that you will not take a full on nerdgasm as promised by Harry Knowles and the rest of the Internet blogging elite.

Another thing that crossed my radar this week was this seven part review on Star Wars Episode I: The Phantom Menace. I've not finished the entire thing yet, but thus far it is very entertaining.

Finally, the newest trailer for Kick-Ass is out, featuring the character Hit-Girl, making it my most anticipated film of the next year. Young Chloe Moretz saying cunt may be the highlight, but the entire trailer is, for lack of a better phrase, truly kick ass.

Thursday, August 20th, 2009

A huge movie news day to be so late in the week. First, the cinema blogsphere has been in utter turmoil since the trailer for James Cameron's upcoming sci-fi opus Avatar debuted this morning. The high quality Apple trailer has had problems all day, and now, the version I seen before work courtesy of TrailerAddict is no longer working. So, in the coming days, as soon as I find a trailer that I can embed, I'll put it on my blog. Anyhow, the big question of the day is, did the trailer hold the impact that the buzz had made all of us anticipate? Cinematical's Erik Davis has a nice article about that topic. I feel that it keeps the buzz. It looked incredible and kept most of the story elements from us. We're still left in the dark, with just a smidgeon of visuals. I hope it stays that way, leaving us completely shocked with whatever Cameron gives us on the big screen in December.

Aside from not being able to access the Avatar trailer, the day was by no means short on movie previews, with CNN Video posting this premiere of the trailer for Michael Moore's latest documentary, Capitalism: A Love Story.


The Hollywood Reporter named the future scribes for the feature film Shazam! adaptation. Most blogs I went to today talked more of actor-turned-writer Billy Birch being part of the project, but I am more satisfied with the fact that his co-writer on the script will be Geoff Johns, a famed comic book writer that has worked with both DC and Marvel Comics. He is most famous for the work done with characters such as The Green Lantern, The Flash, Booster Gold, Hawkman, the Teen Titans, Batman and The Avengers. Oddly missing from that list is Captain Marvel, the hero of the Shazam! series. I'm not sure if Johns ever covered Billy Batson's alter ego in his work on the JLA comics or in his Infinite Crisis work, but it is always comforting to have an actual comics guy working on the screenplay.

ScriptShadow, a Blogspot account that reviews Hollywood scripts has come across Darren Aronofsky's upcoming effort Black Swan. I didn't read the entire review, as anybody that is even a casual fan of Aronofsky knows, you want to be left in the dark on the first viewing. With that said, you can't really go anywhere online today without finding out something on the script, and that is an included sex scene between Natalie Portman and Mila Kunis' characters. Not just any sex scene at that, but an "angry aggressive" sex scene. I just hope not to be hit by any masturbation juices from the surrounding seats whilst watching the movie in theaters.

Yesterday, I touched on a bit of anger stemming from a potential Dirty Dancing remake. Today, via Variety, there is talk of a reimagining of the trippy animated Beatles cartoon Yellow Submarine. The film is to be put in the capable hands of Robert Zemeckis, through Walt Disney Studios, using his motion capture technology employed in the upcoming A Christmas Carol. The fact that Zemeckis is behind this still doesn't make me hate the idea any less. The movie works because it is trippy. If the Blue Meanies look like actual blue monsters, I refuse to watch it. I'm all for a reason to get The Beatles music back into the mainstream, a la the new Rock Band game, but is ruining a classic, that as far as I'm concerned isn't dated, the answer?

I won't be able to blog tomorrow as I have to work the graveyard shift. I'll be back on Saturday, but since I will not get to talk about it tomorrow, do not forget to go see Inglourious Basterds if you have the chance. I will more than likely have to wait until Saturday. Quentin Tarantino's film is really the only good thing coming to theaters this week. Robert Rodriguez has a film, in the same week as Tarantino. That would usually be reason to celebrate, but Rodriguez' flick is for kids, a film called Shorts that seem sub-par and as insufferably bad as his Spy Kids stuff. There is also about six other films that look watchable at first glance, but will all probably go unseen by me that I will not get into.

A rather long post, so I will end with the new trailer for Joe Johnston's The Wolfman. Quite good, enjoy.