Showing posts with label Capitalism: A Love Story. Show all posts
Showing posts with label Capitalism: A Love Story. Show all posts

Wednesday, November 18, 2009

Wednesday, November 18th, 2009

There is never any shortage of arguments as the Academy Awards begin to loom closer. Although we are still about three months away from the 82nd annual ceremony's nominations to be revealed, the controversy cloud has already swirled up with The Academy of Motion Picture Arts and Science's official site's announcement of the fifteen films that have been shortlisted for the Best Documentary Feature Award. Why would this be controversial? Well, because the only film on the list that I'm really familiar with is Louie Psihoyos' The Cove. That may be a bad example, as I consider myself somewhat knowledgeable about most films that have passed through the public radar during the past year, but it is easy to let some decent documentaries to slip under undetected. Still, two of the most prolific films of the genre this past year, Michael Moore's Capitalism: A Love Story and the surprise hit Anvil! The Story of Anvil, which boasts quite a high Tomato Meter rating on Rotten Tomatoes, are not present on the list. Not saying that the fifteen movies the Academy included on their list doesn't sound interesting, but none of them compare to Anvil!'s rating, nor do some of them even register a rating.

The above rant isn't to say that the Academy hasn't done anything right for this coming ceremony. In addition to adding five more nominees onto the ballot for the Best Picture category, as I covered yesterday, the cult film director Roger Corman garnered an honorary Oscar at the Governors Awards last week. Of course, the exploitation master's sometimes lacklusting career isn't without its naysayers. An argument between two Cinematical writers have been brewing today, and I'm taking the side of Scott Weinberg, the supporter of Corman's massive body of exploitive fun.

The Spider-Man 4 rumors keep piling in. Monday, I wrote about how Rachel McAdams shot down the rumor that she would be filling the role of Felicia Hardy/The Black Cat. Today, Deadline Hollywood has already replaced McAdams role in the rumor mill, claiming that Anne Hathaway has been approached to take on the villain, or misunderstood love interest, or Marvel's answer to Catwoman or whatever the hell you want to call The Black Cat. There is no denying that Hathaway does look the part, but as many of the rumors coming in, I highly doubt there is any truth in this.

Finally, my patience is wearing thin with our local movie rental store, Movies to Go. There are a few others, but they're not even worth mentioning. Anyhow, void of newer releases Anvil!, Away We Go and Gigantic, but stocked with about twenty copies of Street Fighter: The Legend of Chun-Li, as well as a few other flicks that make the second attempt at the video game franchise adaptation look like Citizen Kane, such as Sasquatch Mountain, several Girls Gone Wild selections and the straight-to-Nickelodeon George Lopez movie. Not only that, but I could spend days talking about how wrong the categorizations are, such as the Classics section, which is actually period pieces, or the fact that I noticed Into the Wild in the Comedy section. Also, we have the inability to alphabetize correctly, and the blaring sounds of The Pussycat Dolls emanating from the back, while the gaggle of harlotry that operates the cash registers have zero knowledge on basic movie information. Being a small store, I don't expect an academic lecture on Fellini or a section of exploitation rarities to rival Something Weird Videos' archives, but come on, I'm seriously thinking about committing the sin of starting to rent off of the Red Box. Come to PS3 Netflix.

Monday, October 5, 2009

Monday, October 5th, 2009

'Tis a slow week for blogging due to it being finals week. Despite missing the last three days, there has not been a lot of cinematic news pumping through the blogsphere. This may be due to the fact that instead of blogging or digging up some kind of casting news to bitch about, cinephiles actually have a few decent options in theaters this weekend. Taking the top of the box office was Zombieland, which was shockingly great. I expected it to be comical, but from the wonderful opening credit sequence set to Metallica's "For Whom the Bells Toll", I was hooked. Also, I don't think it is a huge spoiler to say that Bill Murray cameos in the film, as whenever I searched Zombieland on Google search, all that came back was Murray's name. Anyhow, the short amount of time may be one of Murray's best comedic performances since Groundhog Day, try to digest how awesome that compliment was.

Other than Zombieland, there was five other very watchable releases that is definitely on my must-see list. First, the Coen Brothers' most recent dark comedy A Serious Man, which showed up disappointingly outside of the top 25 on the box office charts, but still looks incredible. Pixar re-released Toy Story and Toy Story 2 as a 3-D double feature for a two-week engagement, kicking off one of the best autumn movie seasons for family films since the 80's. In addition, Drew Barrymore's directorial debut, Whip It!, which is garnering what some feel surprising critical praise in a coming-of-age comedy set in the world of roller derby girls, and starring Ellen Page. Michael Moore's most recent documentary, a commentary on the current state of our country's economic woes, Capitalism: A Love Story opened up as well. Finally, the least of the big releases of the weekend, Ricky Gervais' fantasy/comedy that has been getting some undeserved criticism for being "atheist propaganda", The Invention of Lying, landed in the top five of the box office.

Not only has the blog sites not had time to bitch about casting news, or worry more on the fate of Marvel comic to film adaptation this week for raving over the decent batch of quality flicks, but another independent horror movie, Paranormal Activity, has been taking off with some good old fashioned word of mouth advertising. Apparently, Twitter has been a big help to the film, and if you visit the official site of Oren Peli's debut feature, that was originally made in 2007, you can demand that it be shown in your area. I thought, due to the mockumentary style, that it looked somewhat interesting, but with such an early fan following, who wouldn't want to see this?

Thursday, August 20, 2009

Thursday, August 20th, 2009

A huge movie news day to be so late in the week. First, the cinema blogsphere has been in utter turmoil since the trailer for James Cameron's upcoming sci-fi opus Avatar debuted this morning. The high quality Apple trailer has had problems all day, and now, the version I seen before work courtesy of TrailerAddict is no longer working. So, in the coming days, as soon as I find a trailer that I can embed, I'll put it on my blog. Anyhow, the big question of the day is, did the trailer hold the impact that the buzz had made all of us anticipate? Cinematical's Erik Davis has a nice article about that topic. I feel that it keeps the buzz. It looked incredible and kept most of the story elements from us. We're still left in the dark, with just a smidgeon of visuals. I hope it stays that way, leaving us completely shocked with whatever Cameron gives us on the big screen in December.

Aside from not being able to access the Avatar trailer, the day was by no means short on movie previews, with CNN Video posting this premiere of the trailer for Michael Moore's latest documentary, Capitalism: A Love Story.


The Hollywood Reporter named the future scribes for the feature film Shazam! adaptation. Most blogs I went to today talked more of actor-turned-writer Billy Birch being part of the project, but I am more satisfied with the fact that his co-writer on the script will be Geoff Johns, a famed comic book writer that has worked with both DC and Marvel Comics. He is most famous for the work done with characters such as The Green Lantern, The Flash, Booster Gold, Hawkman, the Teen Titans, Batman and The Avengers. Oddly missing from that list is Captain Marvel, the hero of the Shazam! series. I'm not sure if Johns ever covered Billy Batson's alter ego in his work on the JLA comics or in his Infinite Crisis work, but it is always comforting to have an actual comics guy working on the screenplay.

ScriptShadow, a Blogspot account that reviews Hollywood scripts has come across Darren Aronofsky's upcoming effort Black Swan. I didn't read the entire review, as anybody that is even a casual fan of Aronofsky knows, you want to be left in the dark on the first viewing. With that said, you can't really go anywhere online today without finding out something on the script, and that is an included sex scene between Natalie Portman and Mila Kunis' characters. Not just any sex scene at that, but an "angry aggressive" sex scene. I just hope not to be hit by any masturbation juices from the surrounding seats whilst watching the movie in theaters.

Yesterday, I touched on a bit of anger stemming from a potential Dirty Dancing remake. Today, via Variety, there is talk of a reimagining of the trippy animated Beatles cartoon Yellow Submarine. The film is to be put in the capable hands of Robert Zemeckis, through Walt Disney Studios, using his motion capture technology employed in the upcoming A Christmas Carol. The fact that Zemeckis is behind this still doesn't make me hate the idea any less. The movie works because it is trippy. If the Blue Meanies look like actual blue monsters, I refuse to watch it. I'm all for a reason to get The Beatles music back into the mainstream, a la the new Rock Band game, but is ruining a classic, that as far as I'm concerned isn't dated, the answer?

I won't be able to blog tomorrow as I have to work the graveyard shift. I'll be back on Saturday, but since I will not get to talk about it tomorrow, do not forget to go see Inglourious Basterds if you have the chance. I will more than likely have to wait until Saturday. Quentin Tarantino's film is really the only good thing coming to theaters this week. Robert Rodriguez has a film, in the same week as Tarantino. That would usually be reason to celebrate, but Rodriguez' flick is for kids, a film called Shorts that seem sub-par and as insufferably bad as his Spy Kids stuff. There is also about six other films that look watchable at first glance, but will all probably go unseen by me that I will not get into.

A rather long post, so I will end with the new trailer for Joe Johnston's The Wolfman. Quite good, enjoy.

Monday, August 3, 2009

Monday, August 3rd, 2009

After all of the critical acclaim to Hayao Miyazaki's earlier films, such as Spirited Away, Princess Mononoke, My Neighbor Totoro, Howl's Moving Castle and several more classics of Japanese anime, you have to wonder why the animation master's latest film, the upcoming Ponyo hasn't gotten more attention. Not only does Miyazaki have an outstanding resume, including an Academy Award and some of the highest grossing anime in America or otherwise, but the film caters to a family audience, and without really knowing anything about Ponyo, I think it would be safe to say that it would be a much more intelligent and entertaining story than the currently playing family fare Aliens in the Attic. And to top it all off, Walt Disney Pictures has the U.S. distribution rights for Miyazaki and Studio Ghibli's stateside releases. Whatever the case, due to lack of promotion, I've suffered through a Japanese and French trailer thus far, and finally the English speaking trailer is out for what will surely be just another masterpiece in the immaculate career of Miyazaki. Enjoy.


Variety announced today that Steven Spielberg will be behind a remake of the 1950 Henry Koster fantasy classic Harvey, which starred James Stewart. I read on a message board, sparked by Spielberg's latest job, complaints that Hollywood has ran out of original ideas. It is fair to say that some of Spielberg's best work has been written straight to the screen with the Indiana Jones series, Close Encounters of the Third Kind and E.T.: The Extra-Terrestrial. Yet, it's not like he hasn't made a name for himself by adapting stories before, with classics such as Jaws, Jurassic Park and Schindler's List. So, it's not that devastating. I also don't really think anyone can outdo Stewart as an actor, but the film is 59 years old, was produced during the Hays Production Code and doesn't get nearly the recognition it deserves. Therefore, I don't think a remake, especially in the capable hands of Spielberg, is a cry of blasphemy.

Speaking of remakes, sequels, reboots, or whatever the hell is going on with George Miller and his Mad Max franchise, the famous Australian character could be coming back. SciFiSquad reports that Jeremy Renner dropped the bomb that he was meeting with Miller and taking a screen test for the film. More importantly than Renner's casting though, it gets this film out into the blogsphere. Good idea or bad? I'm leaning towards bad, as the last good action/exploitation film remade for current day Hollywood was the wretched Death Race. Who can't see the same thing coming here?

Cinematical debuted the poster to The Open Road, starring the unlikely pairing of Justin Timberlake and Jeff Bridges. It's a baseball movie about a minor league pitcher and his estranged father. I've yet to see a trailer or read anything further, but here's hoping this will be the first good baseball movie since Kevin Costner was a legitimate award contender.

Funny People took the box office as expected, with Harry Potter and the Half-Blood Prince keeping the second spot, edging out G-Force by approximately $400,000. The biggest shock of the week is that the Bollywood film Love Aaj Kal hit the fifteenth spot, grossing higher than new releases Adam, The Cove, Thirst, Lorna's Silence and the documentary that I hyped on Friday Not Quite Hollywood... combined. Quite the impressive feat from a film that as far as I've seen, has completely slid under the radar, and I've yet to hear any critic or blogger speak of it.

Finally, via The Detroit News, Michael Moore claims that his upcoming film Capitalism: A Love Story could be his last documentary. Don't get me wrong, I actually enjoyed Canadian Bacon, but I think Moore is more entertaining being an asshole to our government.