Showing posts with label Sigourney Weaver. Show all posts
Showing posts with label Sigourney Weaver. Show all posts

Thursday, December 24, 2009

Thursday, December 24th, 2009 (Christmas Eve, Part II)

A happier post to reflect the normalized view of the yuletide season. So I will begin with one of the better rumors that I read this past week. Via Hollyscoop, bubbly country music superstar Taylor Swift has been reported to be in talks to star as the titular character in a new Supergirl film. For some reason, this works for me. First off, Taylor Swift already looks more like Kara Zor-El than Helen Slater did in full costume. Secondly, in almost every incarnation of DC's superheroine, the work is pure fluff. And in spite of all the "Yo Taylor, Imma let you finish..." Supergirl YouTube entries we would have to endure, Swift is undeniably likable. Nonetheless, we're still probably looking at a terrible movie here, just a reasonably casted lead in a terrible movie.

So, I also missed the week of Avatar. Well, the film, as predicted by everybody, took the weekend box office, and has raked in the incredible reviews that many had counted on. Still, I saw the film in 3-D and I didn't see it as a game changer. In fact, I left still hoping that the entire 3-D phase would fade back into an exploitation gimmick that we would see maybe once or twice a decade in a decent film. But, the good things about the movie outweigh the bad (including Leona Lewis' atrocious love theme), considering that James Cameron is a much better filmmaker than the typical post-William Castle user of the 3-D medium. First, the effects are stunning. Pandora and the creatures that inhabit the land are unusually breathtaking. Second, Sigourney Weaver. Third, Sam Worthington, whom I have generally considered a sub-par actor puts on a hell of a performance, considering he is competing with one of the more impressive backdrops in cinematic history. Giovanni Ribisi is also in there. Also, can you imagine the cosplay based on this thing come convention season? The movie was far from the best though, as the plot involves way too much Native American allegory in a world where we have already and unfortunately been acquainted with the Quileute tribe. Not to mention the uncomfortable scene where (*SPOILER ALERT*) the two blue cat people fuck in the holiest place in the movie. Still, I would highly recommend it, just with the warning that you will not take a full on nerdgasm as promised by Harry Knowles and the rest of the Internet blogging elite.

Another thing that crossed my radar this week was this seven part review on Star Wars Episode I: The Phantom Menace. I've not finished the entire thing yet, but thus far it is very entertaining.

Finally, the newest trailer for Kick-Ass is out, featuring the character Hit-Girl, making it my most anticipated film of the next year. Young Chloe Moretz saying cunt may be the highlight, but the entire trailer is, for lack of a better phrase, truly kick ass.

Sunday, December 13, 2009

Sunday, December 13th, 2009 (Short Film Sunday: Steamboat Willie)

A few days ago, The Walt Disney Company returned to their traditional animation roots with The Princess and the Frog, the new film by Ron Clements and John Musker (the directorial duo is best known for two Disney classics, The Little Mermaid and Aladdin). In honor of the release, I figure I will take the high road and not blog on the normal Disney criticism of racist undertones, and celebrate 2-D animation. I mean, Pixar has yet to make a bad movie, but we all long for some more traditional animation to come our way, so I decided to embed the Ub Iwerks directed, Walt Disney written and produced short Steamboat Willie. It is the film that brought the iconic Mickey Mouse character to prominence, and was the third to feature Disney's mischievous rodent lead, the first being the less popular Plane Crazy, released earlier in the same year, 1928.

As always with Disney animation, an aura of controversy seems to follow this film, although the renown and changing times seems to downplay the one time censored parts. During the big musical number, many of the scenes are considered to display cruelty to animals, including a bizarre scene where Mickey plays sow nipples as an instrument. What happened to Disney, Iwerks and their animation properties after the success of this film needs not be explained, as the Disney corporate name is one of the biggest in the world, let alone the entertainment industry itself. However, it is to be noted that the film is part of the Library of Congress' National Film Registry, as well as being one of the top 50 cartoons, as voted by members of the animation medium.

As for owning the film, it has been released on DVD uncut twice in the Walt Disney Treasures collection. The first is a compendium of old Mickey Mouse cartoons in Mickey Mouse in Black and White, as well as being a special feature on The Adventures of Oswald the Lucky Rabbit, due to it being one of Iwerks' seminal works. Even easier though, unlike other popular Disney works, this film is available all over the Interwebs without Disney issuing out copyright lawsuits all over the place due to the fact that as it has fallen into the public domain. So without further adieu, here is a legal showing of Steamboat Willie.

Usually, I do not blog about anything else on my Short Film Sunday posts, but I have been seeing a lot of blogs featuring a recent interview with Sigourney Weaver. I would post a source, but basically every movie site online has posted it, despite the fact that I can no longer find the video of the session. Anyhow, Weaver was being interviewed for her role in Avatar, when the topic changes to her thoughts on the possibility of Ghostbusters 3, where she drops some huge spoilers. She mentions that her character, Dana Barrett's, son will become ghost buster for this installment, and that Bill Murray will be playing a larger role than she would, but this time as a ghost, thus meaning that Dr. Peter Venkman dies in the movie, or in the space between Ghostbusters II and the upcoming sequel, if it ever comes to fruition.

Also, in about an hour from the time this is posted, Adult Swim is going to air a new Space Ghost interview with Zoe Saldana on her role in Avatar. The advertising blitz has began, and the return of Space Ghost to my late night lineup is a damn good start to it.

Wednesday, August 26, 2009

Wendesday, August 26th, 2009

Ever since the trailer for James Cameron's Avatar dropped last week, the Internet has been abuzz with claims of disappointment, or if possible, even more unbridled giddy anticipation. For me, it is a bit of the latter, and now MarketSaw continues to build this eagerness by posting magazine scans from Empire's feature on the science fiction flick due out in December. In it, we finally see Sigourney Weaver's avatar. We also get the high definition picture of Zoe Saldana's Neytiri character. Since the San Diego Comic Con, we've been seeing the one still of Neytiri over and over, but the scan on MarketSaw is fantastically realistic. Let's hope that we don't get a huge media onslaught on this in the coming months, as I would prefer to go into the theaters knowing as little as I do now.

The Sun has a story up today claiming that Megan Fox has been signed on to play Catwoman in the inevitable sequel to The Dark Knight. One reason we know that this is bogus, is that it casually mentions that she will be working with the returning Christopher Nolan, whom we all know is nowhere close to making a decision about his involvement in continuing the latest Batman film franchise. Oh, and it is also The Sun. Cinematical has an entertaining poll up on what our favorite Batman 3 rumor has been thus far, which after reading over it, you realize they were probably all at one time a story in The Sun. What I think was the most entertaining of the rumors... Eddie Murphy as the Riddler. However, after Joel Schumacher's appalling cinematic abortions from the mid-90's I fear that there is a few ounces to truth to each of these claims.

Scoping out all the regular movie blogs this evening and I ran across a story from The Hollywood Reporter, that stated "Invincible director helm next XXX", or something to the effect. Of course, the story is speaking of the film XXX: The Return of Xander Cage, the third in the painfully terrible action trilogy, being directed by Ericson Core, the man behind the 2006 film Invincible, a true story about the Philadelphia Eagles' Vince Papale, as portrayed by Mark Wahlberg. I was shocked and hurt a little inside though when I originally read the catch of the article, as when I hear the title Invincible, I instantly picture the very underrated 2001 flick, a fable of a Jewish strongman that co-starred Tim Roth, directed by the brilliant Werner Herzog. Luckily, I was way off, and I will not have to care about the new XXX.

Taking Woodstock comes out today for the unusual Wednesday release. The film is directed by Ang Lee based on Elliot Tiber's autobiography on his involvement in 1969's Woodstock Festival. The film looks intriguing, yet I've only read bad reviews. Seeing that it is getting a limited release, I'll probably wait until DVD time to make my consensus.

I watched Pearl Jam's new video "The Fixer" tonight. Quite good, especially considering it was only their second music video in seventeen years, the other being the astounding Todd McFarlane animated "Do the Evolution". I wasn't going to put it on this blog however, until I ran across the video on Cinematical, as they informed me that filmmaker Cameron Crowe was the director of the video. Enjoy.