
Variety announced today that Steven Spielberg will be behind a remake of the 1950 Henry Koster fantasy classic Harvey, which starred James Stewart. I read on a message board, sparked by Spielberg's latest job, complaints that Hollywood has ran out of original ideas. It is fair to say that some of Spielberg's best work has been written straight to the screen with the Indiana Jones series, Close Encounters of the Third Kind and E.T.: The Extra-Terrestrial. Yet, it's not like he hasn't made a name for himself by adapting stories before, with classics such as Jaws, Jurassic Park and Schindler's List. So, it's not that devastating. I also don't really think anyone can outdo Stewart as an actor, but the film is 59 years old, was produced during the Hays Production Code and doesn't get nearly the recognition it deserves. Therefore, I don't think a remake, especially in the capable hands of Spielberg, is a cry of blasphemy.
Speaking of remakes, sequels, reboots, or whatever the hell is going on with George Miller and his Mad Max franchise, the famous Australian character could be coming back. SciFiSquad reports that Jeremy Renner dropped the bomb that he was meeting with Miller and taking a screen test for the film. More importantly than Renner's casting though, it gets this film out into the blogsphere. Good idea or bad? I'm leaning towards bad, as the last good action/exploitation film remade for current day Hollywood was the wretched Death Race. Who can't see the same thing coming here?
Cinematical debuted the poster to The Open Road, starring the unlikely pairing of Justin Timberlake and Jeff Bridges. It's a baseball movie about a minor league pitcher and his estranged father. I've yet to see a trailer or read anything further, but here's hoping this will be the first good baseball movie since Kevin Costner was a legitimate award contender.
Funny People took the box office as expected, with Harry Potter and the Half-Blood Prince keeping the second spot, edging out G-Force by approximately $400,000. The biggest shock of the week is that the Bollywood film Love Aaj Kal hit the fifteenth spot, grossing higher than new releases Adam, The Cove, Thirst, Lorna's Silence and the documentary that I hyped on Friday Not Quite Hollywood... combined. Quite the impressive feat from a film that as far as I've seen, has completely slid under the radar, and I've yet to hear any critic or blogger speak of it.
Finally, via The Detroit News, Michael Moore claims that his upcoming film Capitalism: A Love Story could be his last documentary. Don't get me wrong, I actually enjoyed Canadian Bacon, but I think Moore is more entertaining being an asshole to our government.
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