Thursday, January 28th, 2010

The company behind such great films as Clerks., Pulp Fiction, Sex, Lies and Videotape, The Piano, Reservoir Dogs, Exotica, Shakespeare in Love, Velvet Goldmine, Dogma, Jackie Brown, the English dub of Princess Mononoke, Amelie, Apocalypse Now Redux, Gangs of New York, Cold Mountain, the Kill Bill films, Finding Neverland, The Aviator, No Country for Old Men and There Will Be Blood among many other things is calling it quits. Founded by Harvey and Bob Weinstein, the company was pretty much the face of the independent film surge in the 90's and ventured on to be attached, sometimes with other companies as in There Will Be Blood and No Country for Old Men with Paramount Vantage, to some of the better reviewed films of the 2000s. Along with the end of a legend in modern cinema goes a few unproduced films, via Cinematical. The best of which being Julie Taymor's adaptation of William Shakespeare's The Tempest, which was set to star Helen Mirren, Geoffrey Rush, Alfred Molina, Russell Brand and Jeremy Irons among others. Ironically enough, Deadline Hollywood had ran a story early this morning before The Walt Disney Company (the current owners of Miramax, which was bought from the Weinsteins) announced the closing of the studio that Harvey Weinstein was interested in buying the company back. I'm sure Kevin Smith's Twitter feed is all aflutter, so expect some of his, as well as Quentin Tarantino's, comments about this over the weekend.

It wasn't just Miramax, today was a sad day for the entertainment industry as a whole. Zelda Rubinstein, most famous for playing the role of Tangina Barrons in the Poltergeist horror franchise, which also won the actress a Saturn Award, died of kidney and lung failure at the age of 77 today. Although she will forever be known for her role in Poltergeist, Rubinstein kept acting and appeared as late as Richard Kelly's 2006 film Southland Tales. Joining her was author J.D. Salinger. Of course, Salinger didn't have a lot to do with film, as his most famous work, The Catcher in the Rye, has been rumored to be in the process of an adaptation since the 50's, with everybody from Elia Kazan to Terrence Malick vying for the director's chair. Now that Salinger has finally passed, at the age of 91, one can't imagine that one of the most controversial books in American history, that I for some reason have never picked up, will make its way to the big screen in the coming years for better or worse.

Somehow, in the last 20 or so posts, I have yet to escape without mentioning Avatar. Nonetheless, I have to pass along a great story that I originally read on BBC News today. Officials in Zhangjiajie, China have renamed the Southern Sky Column the Avatar Hallelujah Mountain, claiming that the location was James Cameron's inspiration for the floating mountain in his blockbuster. It actually doesn't stop there, Zhangjiajie will also be conducting "Avatar Tours" to tourists to show all the places that inspired the land of Pandora. I have yet to hear Cameron acknowledge this place, but if I ever visit China, the place does look truly beautiful.

On a final note for the day, I have yet to really speak of the Sundance Film Festival, because as a spectator, what can one say about mostly independent films that we know nothing about. We just salivate a few of the reviews and wait for their limited theatrical release to jump aboard the bandwagon. Anyhow, Screen Daily grabbed an interview with Sundance regular Gaspar Noe, director of the controversial rape/revenge flick Irreversible, about future projects. One, Noe plans to make his first 3-D film, a joyous, hardcore, erotica piece. Noe's exploitative filmmaking does make a decent match for the medium, bringing it back into the subgenre it belongs.

Wednesday, September 30th, 2009

Last week I mentioned an interview with one of the Weinsteins that announced a decently impressive upcoming slate for further bastardization of at one time decent horror franchises, including Scream 4, another remake of Children of the Corn and reaffirming the already rumored 3-D installment of the ill-received Halloween reboot. Today, DeadlineHollywood already has a retraction from that interview by announcing that The Weinstein Company has shelved plans for Halloween 3, presumably until the new director onboard for the franchise, Patrick Lussier, becomes available. Still, as Cinematical noticed, the New York Post has a conflicting story, suggesting that the loss of the popular horror series in our near cinematic future is due to TWC's economic troubles, and furthermore, Summit Entertainment is looking into purchasing the company. The story also goes on to state that Summit is also looking into acquiring MGM, and even cites the entire conglomerate-esque activity of the company is due to the major success of Twilight. Who knew that all along, to kill Michael Myers, it just took one intense stare. Is this a good thing? Sure, Halloween without John Carpenter isn't Halloween quality, that's something we've known for years. But is it a good thing that a company responsible, and proud of, the Twilight Saga will now hold the key to some of our greatest musicals, as well as the future, more in particular the future of Middle-earth? My worries eclipse (for Christ's sake, that is not a pun) the slight happiness of the squashing of H3.

Cinematical also has a picture of Seth Rogen's stuntman on the set of The Green Hornet up today, giving us a bit of a teaser on what the costumed hero may look like. The article asks the question of what hardcore Green Hornet fans might think, if they are indeed hardcore fans. I think the fact that the question of is there hardcore fans has to be asked means that this is a comic adaptation that can be played with a little more, and I am ecstatic over what the mind of Michel Gondry can do from a script by Rogen, a generalized fanboy.

Finally, Opening Ceremony has some really awesome looking Where the Wild Things Are apparel, that is way, way overpriced.

Monday, August 31st, 2009

I have always said that sometimes The Walt Disney Company gets more bad press than they deserve. Sure, they are the most shrewd of all Hollywood businesspeople, as well as being known on the blogsphere for being wildly hypocritical in most of their judgments, not to mention being branded as racists from Dumbo to The Princess and the Frog. Yet, they continue to pump out great films such as WALL-E and this year's Up alongside Pixar, and no matter how overpriced, continues to generate the one place on earth that lives up to the affectionate term of "magical", the Walt Disney World Resort. However, when I turned on the ol' computer today, I read that the big conglomerate mouse had finally gone too far, they had bought Marvel Comics. We have a plethora of questions that arise from this $4 billion deal that occurred this morning, including what will happen to the movie properties and plans that Marvel Entertainment had lined up for the upcoming years, culminating in a collaborative Avengers adaptation? Does this spell the end for the chance to see a quality Wolverine film, based on the works of Frank Miller and Chris Claremont? When will we face an inevitable Disney/Marvel crossover? A better question, will Pixar dabble in the newly acquired 5,000 Marvel characters? Even away from the relevancy of this movie blog, what about the comics? Disney television deals? Universal Studios Islands of Adventure's fate has my inner traveler nervous. Will Disney destroy Marvel? Will characters like Frank Castle/The Punisher be re-worked to become family-friendly to fit the Disney brand? Will Stan Lee still be a huge influence in the Marvel offices? What will the folks affiliated with Marvel say about the merger?

I suppose most of these questions will be answered in the next few days that follow, but right now the media shit storm is in full swing, and MTV has posted an article about what we supposedly know about the deal thus far. You can also check out the official press release at Marvel's official site, and I have yet to find, but I've read that somewhere on there, you can actually listen to CEO Isaac Perlmutter's conference call. Also, a link to the first place I read the story, BBC News. And don't forget to check out what the non-movie crowd is saying, via the comment section on Geekologie. Also, not missing a beat, don't miss Cinematical's weekly article Girls on Film, where Monika Bartyzel compares the classic Disney princesses and Marvel's top heroines. There is also an article on the site by Jeffrey M. Anderson, featuring lots of rather cheesy jokes that in all actuality touches on the fears of all geeks the world over at the moment. And for one final link to the story, the picture comes courtesy of coverage at Kotaku.

So, with the future of comic books-to -silver screen in jeopardy for a cinephile, what could possibly make the news day worse? How about a franchise that doesn't know when to quit? How about three?

First, Variety reports that even after Halloween II was just able to climb to the number three spot at the box office this weekend, the franchise may be continuing, sans current director Rob Zombie. The Weinsteins have apparently got a yet-to-be-named filmmaker on tap to take the franchise in a different direction, and a different dimension... or what's becoming a very cliché gimmick in 3-D.

Also from Variety, it was announced today that Nu Image and Millennium Films greenlit a fifth film in the Rambo franchise. Sweet Jesus, that is just a terrible idea.

Finally, just when you thought you couldn't take anymore, The Hollywood Reporter declares that Peter Craig is writing a new screenplay for a third Bad Boys for Columbia Pictures. We are yet to find out if Michael Bay, Jerry Bruckheimer, Will Smith or Martin Lawrence will return. Also, would it even really matter?

Finally, if you haven't lost all your hope in the wonderful world of cinema, The Final Destination took the top spot at the box office this weekend, topping the second week of Inglourious Basterds by a little over $8 million, not even to mention $27 million over Big Fan. Try not to kill yourselves before tomorrow.