Showing posts with label Terry Gilliam. Show all posts
Showing posts with label Terry Gilliam. Show all posts

Sunday, December 27, 2009

Sunday, December 27th, 2009 (Short Film Sunday: Storytime)

For a lot of folks, seeing a movie on Christmas Day has become a time honored tradition, and unfortunately for everybody that does not live in New York City or Los Angeles, Terry Gilliam's latest flick The Imaginarium of Doctor Parnassus was only released limited on the holiday. The new film is said by many critics to be a return to Gilliam's signature style seen up until 1988's The Adventures of Baron Munchausen. Not that the films that followed would not contain a hallucinatory style that couldn't be visually connected to Gilliam's previous works, as the "Americana trilogy" of The Fisher King, 12 Monkeys and Fear and Loathing in Las Vegas takes on its own Monty Python-esque surrealist moments at times. Still, with Imaginarium harkening back to the days of Time Bandits and Gilliam's first stand alone directorial effort Jabberwocky, themselves harkening back to his days as a member of the comedy troupe Monty Python, it just seems right to take a look at the animated shorts the eccentric director made even before his days with the influential British group.

Before Gilliam's fame took off with the likes of John Cleese, Graham Chapman, Terry Jones, Michael Palin and Eric Idle, he was featured on a British children's television show with the latter three called Do Not Adjust Your Set. Gilliam would not be a star of the show like his future Python cohorts, yet the show would heavily feature his animation, as well as giving him a chance to direct a few episodes. It would be this style that would show through in most of Gilliam's side project short films, and his animation work on Monty Python's Flying Circus and the films that would come to fruition from the group.

The first short would be the strange film entitled Storytime, from 1968, a year before Flying Circus would make its television debut. The short, no surprise, doesn't carry a linear, coherent plot. It starts off with a man telling a story of a cockroach, and ending with a scatterbrained series of events happening within a Christmas card. The film would of course lead to another short called The Miracle of Flight, which would lead to Gilliam co-directing the cult classic Monty Python and the Holy Grail. From that point on, with or without the help of his fellow Pythons, his work behind the camera has become legendary with a huge cult fan base. So, if you are like me, and nowhere near New York or L.A. and are craving the first viewing of Imaginarium, here is Storytime to tide you over. Enjoy.

Tuesday, August 25, 2009

Tuesday, August 25th, 2009

Yesterday I began the ol' blog with a picture of Todd McFarlane's rather "twisted" vision of Dorothy Gale and the munchkins. Today, seeing that the news world was quite slow, I got this deviantART picture off of Cinematical, of a darker version of Disney's Snow White and the Seven Dwarfs. The picture brings up the inevitable question with the dark fairy tale trend (see: The Girl in the Red Riding Hood and yesterday's main topic of a supposed sequel to The Wizard of Oz), when will we get a fitting darker version of Snow White, that is not the 1997 TV movie Snow White: A Tale of Terror, starring Sigourney Weaver. Don't get me wrong, I love Ripley, but that movie just wasn't my cup of tea if you get me. Also, does anybody ever think we will see a cinematic version of Alan Moore's very adult comic Lost Girls, a story telling the sexual exploits of three fairy tale icons, Wendy of Peter Pan, Alice of Alice's Adventures in Wonderland and the only other version of Dorothy that could be more sexualized than McFarlane's unsettling toys?

SciFiMoviePage has an audio interview with District 9 director Neill Blomkamp up, in which the director notes that the studio is interested in pursuing the sequel, although he doesn't confirm his own thoughts, or any possibilities that we could see this. Also, would a sequel, in which we no longer have the good open ending, ruin the mystery of the first film? I suppose it is inevitable, and no amount of complaining or logic could stop it. I just hope the screenplay matches its predecessor in the intelligence department and doesn't fall into the Transformers-esque cash cow sci-fi flick.

Speaking of sequels, The Hollywood Reporter announced that a sequel to Hancock is being penned. Personally, I could live without it.

MTV has a pretty good article giving us five facts from Quentin Tarantino's Inglourious Basterds that we probably don't know.

/Film has a decent interview with Terry Gilliam posted on his upcoming film The Imaginarium of Doctor Parnassus. Gilliam is always an interesting enough read; however, Cinematical's Monika Bartyzel has an interesting article up pointing out the fact that Gilliam stated he would love to work with Pixar, even going as far to compare it to Walt Disney and Salvador Dali's pairing in the short Destino that I featured a few weeks back. A good, thought-provoking read. Personally, I think if classic Disney animation can pair up with a Philip K. Dick story for King of the Elves in a few years, Pixar Animation could definitely pick the obscurely entertaining brain of Gilliam.