Monday, January 11th, 2010

The past year, this blog has been littered with casting rumors for Spider-Man 4. I woke up this morning to an AICN post where John Malkovich had supposedly confirmed that he would be playing the role of the villainous Vulture in the upcoming installment of Sam Raimi's Marvel franchise, a story I was sure would head the blog. That is until Sony's official Twitter feed announced that when the web slinger returns to the silver screen in 2012, he would be going back to high school, signaling a reboot. Then, later, Harry Knowles posted the official Sony press release announcing that Spider-Man 4 is officially dead and that Raimi, Tobey Maguire and all the old players are out. I can see canning the fourth installment of the series, but making a reboot of a fairly new, pretty well received series? I know that Spider-Man 3 has its enemies, but are we to say that this was so cataclysmically bad, like Batman and Robin bad, that it deserves to reboot the entire franchise, throwing the brilliant Raimi and the fitting Maguire to the wayside? Ridiculous.

Some better comic book news coming from the DC side of things as The Hollywood Reporter announced that Blake Lively has been cast as Carol Ferris/Star Sapphire in The Green Lantern film. I've not heard, but I doubt that Lively will take on the transformation into the Star Sapphire role that Ferris eventually plays in the comics. Still, I've not really watched Lively in anything other than her Saturday Night Live appearance, so this could be as terrible of an announcement as the above Spider-Man disaster.

The Writers Guild of America announced the nominees for their two major awards. There was really no surprise, especially with Inglourious Basterds and Up being disqualified for the writers not being part of the WGA, that (500) Days of Summer, A Serious Man and the much lauded The Hurt Locker would gain a nod for original screenplays, but two shocking picks popped up. First, James Cameron's screenplay for Avatar, which has its fair share of detractors. Even more shocking however, is the raunchy Todd Phillips comedy, The Hangover, to the delight of myself, but the chagrin of Erik Childress of Cinematical, whom broke the story for me. The category of adapted screenplay wasn't nearly as exciting, except keeping the fanboys happy with a nod for Star Trek, with Alex Kurtzman and Roberto Orci's script competing against Up in the Air, Precious: Based on the Novel "Push" by Sapphire, Julie and Julia and Crazy Heart.

For a small note, I am going to try my damndest to expand my convention-going this year to visit Dragon*Con in Atlanta if my school schedule allows, but AdventureCon in Tennessee is an almost confirmed event, so I am happy to say that the tiny convention announced today that Billy Dee Williams, Lando fucking Calrissian, the black Harvey Dent and some memorable spots on Robot Chicken, will be a guest for the event.

On a final note, I saw this gallery of Star Wars burlesque featured in L.A. Weekly all over the Interwebs from a place called the Bordello Bar. Enjoy, some decently bizarre pictures.

Tuesday, October 27th, 2009

The casting for Michel Gondry and Seth Rogen's 2010 superhero flick, The Green Hornet, has been one of the more fascinating since I've started keeping a movie blog. Today, I learned that, despite principal photography and filming actually taking place now, the casting news thickens. First off, Rogen, in an interview with MovieWeb, has confirmed that Anvil, the Canadian metal band that gained prominence with this year's documentary Anvil! The Story of Anvil, will play a band for the film. Also, Rogen announced that Edward Furlong has also been added to the lineup, although he would not confirm in what capacity.

A lot of things to cover today, so moving more quickly, an online petition has been started to get Sam Rockwell a nod for this year's Academy Awards, as the sponsor feels that Moon will be overlooked due to the film being director Duncan Jones' directorial debut, and nowhere near the promotional buzz needed to trump the other films that will be campaigning. I absolutely hate how political the Academy Awards are, as it really comes down to the best campaign, and not the best performance. Anyhow, without seeing Moon, I have to say that I hope Rockwell lives up to the praise, but I can't have an extreme opinion as of yet.

MarketSaw announced today that The Lizard will be the only villain in Sam Raimi's upcoming Spider-Man 4. This is good news for Dylan Baker fans (assuming that I'm not the only one), but makes us have to question what the expanded role of Bruce Campbell will be. Also, it has to be noted that the source is MarketSaw, which reported last week that Steven Spielberg and Francis Ford Coppola will both direct a chapter in a sequel trilogy of George Lucas' Star Wars saga. Trustworthy?

At midnight, or a few short minutes from when I'm writing this, the highly anticipated Michael Jackson documentary This is It debuts at theaters. I still have my doubts about this rushed doc's quality, but who can resist the spectacle?

Paranormal Activity took the top spot at the box office this weekend, beating out Saw VI in its opening weekend. This is a breath of fresh air to anybody like myself who thinks that the Saw series has finally run its course, as well as anybody that is just generally excited about independent films gaining widespread success.

Movie-related Christmas ideas have already began pouring in, as DVDSnapshot, courtesy of a link from Cinematical, has posted the details and contents of The Mel Brooks Collection, a nine disc Blu-ray compendium of comedy, which will include such films as Blazing Saddles, History of the World: Part I, Robin Hood: Men in Tights, Silent Movie, Spaceballs and Young Frankenstein among a few others.

Finally, I had a decent weekend whilst not blogging as I partook in several October activities including taking in The Rocky Horror Show live at Berea College, a corn maze and attending The Grand AdventureCon in Pigeon Forge, Tennessee. We actually set in on two panels, one for Mickey Dolenz (of Monkees fame) and one for Kevin Nash, So Cal Val and Traci Brooks of TNA. I'd like to say I brought back some exclusive knowledge for my blog, but I don't think any of their cinematic careers, if they even exist much at all, are flourishing at the moment. Still, when looking up to see if they were going to be in anything, I ran across the fact that Dolenz was in Rob Zombie's re-working of Halloween, which I didn't know, and this picture...

That is So Cal Val in Princess Leia's infamous slave girl get-up. And yes, it is from a site dedicated to cosplay of that one costume (and does border of creepy most of the time). Even though my only readership is my fiance and another straight female, I think even they would appreciate such a site.

Sunday, October 18th, 2009 (Short Film Sunday: Halloween Extravaganza)

This is the last Short Film Sunday I'll be posting before Halloween, seeing that next Sunday I will be hoarding nerdy memorabilia from The Grand AdventureCon in Pigeon Forge, Tennessee. So, with the aforementioned information, I figure I should do a bit of a Halloween extravaganza, and put together three decent shorts that embody the spirit of the Halloween season.

First up, is the original short that inspired the feature length version that we are all a little more familiar with, Saw. The short, which was directed by James Wan and was written by and starred Leigh Whannell, the team behind the big screen version that would come out a year later, was actually made as nothing more than a pitch from Wan and Whannell in an attempt to be picked up from a movie studio and acquire actors. Of course, this short and the original film are actually good entries into American horror, so don't let the overkill of Saw VI, due out this coming weekend, or the announcement of an upcoming 3-D Saw VII, or even the VH-1 reality series Scream Queens ruin this for you. The short can now be viewed by the uncut edition of the Saw DVD.

Second, we get a little more child friendly with a 1929 short directed by the one and only Walt Disney and animated by the brilliant Ub Iwerks, The Skeleton Dance. The short was actually made just a year after Mickey Mouse's debut screen appearance, via the short Plane Crazy. The little film, part of the Disney Silly Symphonies series of shorts, has became a Halloween staple over the years, being named among the 50 greatest cartoons of all time in a survey of a thousand animation professionals, compiled by historian Jerry Buck, and Carl W. Stalling's score pops up on Disney Halloween CD's all over the place. A nice little fact, just nineteen days ago was the eightieth anniversary for this short.

Finally, if there is one short that embodies Halloween more than any other, it has to be Michael Jackson's Thriller. Some people may consider it a music video more so than a short film, but Wikipedia and IMDb are among the sites that count this as a film, albeit a TV film according to the latter. The video was definitely the first time filmmaking and music video would merge, and possibly the only time it would on such a magnificent level. The short is directed by John Landis, just fresh off of doing An American Werewolf in London, and co-stars Ola Ray (who, incidently will be one of the guests at the aforementioned AdventureCon) and the voice of horror icon Vincent Price. The short, which tells the story to the tune of Jackson's eponymous track off of one of the greatest albums of all time, Thriller, of a couple that leaves the showing of a horror flick due to the young girl being frightened, only to end up in a nightmare of walking, dancing undead. Of course, the short/music video will be bigger this year than ever after the passing of Jackson a few months ago. Adding to the hysteria of Wacko Jacko's October legacy is the fact that Thrill the World is expecting its biggest turn-out ever, which will attempt to break the Guinness World Record of most people dancing in sync to Thriller simultaneously the world over. Also, This is It, the documentary on the finals days of Jackson's life is set to come out just a few days before Halloween. Enjoy.

Thriller - Michael Jackson

Friday, October 16th, 2009

I was flipping around the telly today, and caught somebody mentioning the Darth Vader gargoyle on Washington National Cathedral. I attempted to find a news story that would have prompted the newscaster to bring up the piece of architecture, but to no avail. Still, last year I went on a vacation to Baltimore and Washington, D.C., and as much as I absolutely hated D.C., especially in comparison to Baltimore, one of my highlights was the drive-by on the tour bus of the beautiful National Cathedral. Of course, I had no clue that this was part of the huge church, which was the venue for John F. Kennedy's funeral. Kind of neat, and may even cause me to go back to D.C. once I take the inevitable return trip to John Waters' hometown.

Aside from this random find, the only real news for the day is the week's Friday releases. Of course, topping the must-see list is Spike Jonze's Where the Wild Things Are, which looks brilliant and has been getting the critical acclaim to back up the amazing looking trailers and featurettes we've been seeing that past few weeks. Also out this week, the sequel to what I felt to be an underrated movie, the anthology Paris, Je T'Aime, came out today, called New York, I Love You. The movie definitely has the talent to match its predecessor, but I just don't see it recapturing the magic of the Coen Brothers' or Sylvain Chomet's entries, and as for critics, anthology films are usually dismissed anyhow, so I don't see this flick getting much exposure. There is also a nice blaxploitation throwback, Black Dynamite, out today. I've not heard much about the movie, but I'm a huge supporter of exploitation homage films, so I'll at least keep an eye on the reviews. To a lesser extent, Law Abiding Citizen looks watchable and The Stepfather being a horror film in October stands a decent chance of gaining a following, but I doubt anything special.

A few random thoughts on the rest of October in film for my local area. Next Saturday, here in Harlan at the Old Hall Gym, as if anybody that will come across this doesn't already know about it, there will be a free showing of The Rocky Horror Picture Show at midnight. Since I can't find anywhere near that is doing a good Rocky Horror live show, this looks to be the next best thing. Also, the next day I will be attending The Grand AdventureCon in Pigeon Forge, Tennessee, which will be taking place the whole weekend.

Finally, since it is a slow news day, and we are drawing closer to Halloween, LiquidGeneration has a good video up of their top 25 horror flick kills. Enjoy the link.

Wednesday, July 15th, 2009

It will not be my custom to review movies, that is not what I'm about. I'm thinking about eventually opening a new blog for the sole purpose of reviewing some of my more favorite films; however, I live in a very small town that doesn't get a lot of movies, in addition to working and being a full time student, to review films in a timely manner is nearly impossible, and let's be honest, bitching is more fun. But then there are cases like last night's midnight showing of Harry Potter and the Half-Blood Prince, the sixth film in J.K. Rowling's epic wizarding franchise. Remember how I said bitching is more fun. Well, lucky for me, there is fuel aplenty for any fan of the books, so let's get to some of my biggest peeves, no Potterverse (is that a term yet?) pun intended. Oh, I suppose there needs to be a spoiler alert, hypothetically and probably illogically assuming here that a) Somebody will eventually read this and b) Anybody that is prepared to read a rather drawn out complaint about the film adaptation has yet to read the book and know the plot for themselves already.

First off, my favorite character in the book or film series is Professor Severus Snape. In the films thus far, Alan Rickman has perfectly played the deadpanned semi-antagonist, but in the books, we really get a feel of the character, and feel sorry for him no matter what hideous act we think he has done throughout the series. Rowling herself even referred to Snape as a "gift of a character" on Snape's official fan site. So, with a true anti-hero that is in the story's namesake (after the revelation that Snape is indeed the Half-Blood Prince, the story might as well be called Harry Potter and Severus Snape), I was prepared for a wonderful performance from Rickman in the film. Instead, I felt like crying when on the drive home, I realized that Potter newcomer Jessie Cave (as Ron's love interest Lavender Brown) had more screen time and lines.

Getting further into my argument, I could trample all over Steve Kloves' script as it seemed it left out a lot of important parts (i.e. the funeral of Albus Dumbledore for Christ sake!, the three leads trying to find out who the Half-Blood Prince is, anybody caring that Harry did the sectumsempra spell on Draco Malfoy, etc., etc.), the importance of some of the book's big players (Neville Longbottom has one sentence in the film, and the delightful Natalia Tena as Tonks, as well as David Thewlis' Remus Lupin is nearly filler characters), and many, many other things, but I think the bottom line on it all, is that I'm disgusted with the overall way the film franchise has been handled. Since the success of Harry Potter and the Sorcerer's Stone, the films have been more about how much money could be made, and catering the films to teenagers, especially in a post-Twilight (I think this would qualify for a "dystopian") society. Whenever you read the books, the awkwardness and corny jokes are there, it is part of Rowling's style, and it is one of the more charming things about the book, but as the characters grow older and the original readers gets older, the books became more mature. Not creating a Dark Knight atmosphere, but the subject matter of the latter books are definitely not the same as when young Harry first came to Hogwarts. Instead of letting the films get more heavier, Kloves' script attempts to push the teen relationships more than the crucial storyline, and even there, we're not given some of the more iconic scenes from the book (i.e. Harry breaking up with Ginny at the Dumbledore's funeral.) This type of thinking is undermining to America's teenage demographic. What makes Ron and Hermione's flirtatious beginnings and eventual relationship such a nice element in the novels are the adventures and hardships they share with Harry. And to cut out Harry's break-up with Ginny seems to be destroying the teen romance card push Kloves and director David Yates was hoping for. To take out the heavier moments is insinuating that all the teen audience cares about is senseless snogging and cute anecdotes here and there.

However, it's not all bad. The cast, as always, is superb. Rickman, Michael Gambon, Jim Broadbent, Maggie Smith, Thewlis, Robbie Coltrane, Timothy Spall, Helena Bonham Carter, Julie Walters. Not to mention the young leads Daniel Radcliffe, Rupert Grint and Emma Watson, even the less expierenced Evanna Lynch is perfect as Luna Lovegood. However, I have not heard much praise for young Tom Felton, who plays Draco. I don't know if Susie Figgis, the casting director of the first film, knew what she was doing when she cast him, but Felton grew up to be one creepy-looking bastard. Also, as always, John Williams gives an incredible score. At the film's heart, it still is a summer blockbuster, and when in the middle of the action, your attention is brought to how wonderful the score is, it is an excellent achievement.

Now, I don't feel bad for making this a rather long blog, seeing that I was absent yesterday, but are you ready for Potter overload? A few news items...

Half-Blood Prince has set the record for a midnight show, defeating The Dark Knight and Star Wars Episode III: Revenge of the Sith easily.

Guardian is reporting that the Vatican has decided that the sixth film will not send you, the viewer, to Hell, as the others have been condemned. Interesting.

If you're sick of Potter and his pals, here is a link to see The Empire Muggs Back, a collection of Mighty Muggs toys to be auctioned off to raise money for the Make-A-Wish Foundation. Awesome set of toys.

Finally, The Grand AdventureCon in Pigeon Forge, Tennesse, the closest comic book convention to my neck of the woods, have added a few more names to the guest list. David Barclay, the chief puppeteer of Jabba the Hutt in Return of the Jedi and Maria de Aragon, best known as Greedo from A New Hope.